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Views from the Choir Loft

Brébeuf Hymn #517 • “Veni Redemptor Gentium”

Jeff Ostrowski · July 24, 2019

In the Brébeuf Hymnal, the famous Advent text “Veni Redemptor Gentium” is used with several melodies. Here is an example, recorded by a young lady in 8th grade:

You can hear the individual tracks if you visit the Brébeuf website and scroll to #517.

“O Heiland Reiss” is a famous Advent melody—and the Brébeuf Hymnal uses that melody with several different texts, including an English translation of “O Heiland Reiss” by an FSSP priest. Catholic hymnals often use this melody with various texts, and here are several examples:

    * *  O Heiland reiss die Himmel auf • Pope Pius XII Hymnal (1959)

    * *  O Heiland reiss die Himmel auf • Catholic Hymnal (1957)

    * *  O Heiland reiss die Himmel auf • Catholic Hymnal (1936)

    * *  O Heiland reiss die Himmel auf • Catholic Hymnal (1910)

    * *  O Heiland reiss die Himmel auf • Catholic Hymnal (1885)

    * *  O Heiland reiss die Himmel auf • Catholic Hymnal (1989)

(“O Heiland Reiss” is the tune you hear in the video above.)

Over the next few months, we hope to explain why such flexibility—of texts and tunes—is crucial.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jean de Brebeuf Hymnal Last Updated: January 1, 2020

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Jeff Ostrowski

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski
2 January 2021 • Temptation

When I see idiotic statements made on the internet, I go nuts. When I see heretics promoted by people who should know better, I get angry. Learning to ignore such items is difficult—very difficult. I try to remember the words of Fr. Valentine Young: “Do what God places in front of you each day.” When I am honest, I don’t believe God wants me to dwell on errors and idiocy; there’s nothing I can do about that. During 2021, I will strive to do a better job following the advice of Fr. Valentine.

—Jeff Ostrowski
31 December 2020 • “COMITES CHRISTI”

The feasts for Saint Stephen Proto-Martyr (26 December), Saint John the Evangelist The Disciple Whom Jesus Loved (27 December), and the Feast of the Holy Innocents (28 December) seem untouched by any liturgical reforms. These are very powerful feasts—I believe they once possessed octaves—and I believe they could sometimes “overpower” a Sunday feast. The rules for octaves in the olden days are extremely complex. These feasts are sometimes referred to as a single entity as: Comites Christi (“Companions of Christ”). This is just a guess, but there seems to be a triple significance: STEPHEN martyred after Christ lived, JOHN was a martyr who knew Christ personally, and the HOLY INNOCENTS were martyred before Christ’s birth.

—Jeff Ostrowski

Random Quote

“Before any seminarian is accepted for ordination, he must not only strive for chastity but actually achieve it. He must already be living chaste celibacy peacefully and for a prolonged period of time—for if this be lacking, the seminarian and his formators cannot have the requisite confidence that he is called to the celibate life.”

— Archbishop Viganò (16 February 2019)

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