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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Vespers Organ Accompaniments

Jeff Ostrowski · June 10, 2019

NE OF THE MOST AWESOME things we do at my parish is Sunday Vespers. The entire congregation sings, alternating between Men & Women. It is beautiful beyond anything I could have imagined, although it took us a few months to get going. This would not be possible without the 465-page book I mentioned, created by Albert Bloomfield. The Magnificat changes each week, and I accompany Vespers on the organ. (Reminder: The men and women alternate, sitting on opposite sides of the congregation.) So, which organ scores do I use to accompany the (ever-changing) Magnificat antiphon & verse? Well, you can download them if you wish (see below). You’ll notice the harmonies underneath the psalm tones are missing, because I like to improvise them. These scores are very ugly. They’re for private use only.

*  PDF Download • First Vespers of JANUARY 1st
—“Octave Day of Christmas” • a.k.a. Circumcision.

* *  (Magn. Ant. + Verse) • Epiphany

* *  (Complete Vespers) • Feast of the Holy Name

*  PDF Download • Feast of the Holy Family
—This booklet is incomplete.
—First Sunday after Epiphany.

“2nd Sunday after Epiphany”
*  PDF Download • ORGAN ACCOMPANIMENT (25 Pages)

* *  (Magn. Ant. + Verse) • 3rd Sunday after Epiphany

“4th Sunday after Epiphany”
*  PDF Download • ORGAN ACCOMPANIMENT (25 Pages)

* *  (Magn. Ant. + Verse) • 5th Sunday after Epiphany

*  PDF Download • 5th Sunday after Epiphany (“Zizánia”)
—Dom Lucien David was Abbat Pothier’s protégé.

* *  (Magn. Ant. + Verse) • 6th Sunday after Epiphany

* *  (Magn. Ant. + Verse) • Septuagesima Sunday

Sexagesima Sunday
*  PDF Download • ORGAN ACCOMPANIMENT (25 Pages)

Quinquagesima Sunday
*  PDF Download • ORGAN ACCOMPANIMENT (25 Pages)

Hymn for Vespers: AUDI BENIGNE CONDITOR

*  PDF Download • MAGNIFICAT (1st Sunday of Lent)

* *  (Magn. Ant. + Verse) • 2nd Sunday of Lent

3rd Sunday of Lent (“Third Sunday of Lent”)
*  PDF Download • ORGAN ACCOMPANIMENT (24 Pages)

4th Sunday of Lent (“Lætare Sunday”)
*  PDF Download • ORGAN ACCOMPANIMENT (24 Pages)

5th Sunday of Lent (“Passion Sunday”)
*  PDF Download • ORGAN ACCOMPANIMENT (24 Pages)

* *  (Magn. Ant. + Verse) • 5th Sunday of Lent (“Passion Sunday”)

Hymn for Vespers: VEXILLA REGIS PRODEUNT

* *  (Magn. Ant. + Verse) • Palm Sunday

Temporary file to accompany Eastertide Vespers (includes the hymn)

Hymn for Vespers: AD REGIAS AGNI DAPES

* *  (Magn. Ant. + Verse) • Low Sunday

* *  (Magn. Ant. + Verse) • 2nd Sunday after Easter
“Good Shepherd Sunday”

* *  (Magn. Ant. + Verse) • 3rd Sunday after Easter

* *  (Magn. Ant. + Verse) • 4th Sunday after Easter

5th Sunday after Easter (“Pétite Sunday”)
*  PDF Download • ORGAN ACCOMPANIMENT (20 Pages)

*  PDF Download • Vespers Hymn for the Ascension
—Also used on the Sunday which follows the Ascension.

* *  (Magn. Ant. + Verse) • Sunday after Ascension

* *  (Magn. Ant. + Verse) • Pentecost Sunday

Complete booklet to accompany Pentecost Sunday Vespers II:
*  PDF Download • PENTECOST SUNDAY

*  PDF Download • Trinity Sunday Vespers Booklet
—22-page booklet to accompany Trinity Sunday Vespers II.

* *  (Magn. Ant. + Verse) • Trinity Sunday

*  PDF Download • HYMN for TRINITY SUNDAY
—Set to “Gonfalon Royal” tune from the Brébeuf hymnal.

Simplified setting of the Magnificat: Trinity Sunday

* *  (Magn. Ant. + Verse) • 4th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 5th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 6th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 7th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 8th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 9th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 10th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 11th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 12th Sunday after Pentecost

12th Sunday after Pentecost   •   A New Method To Accompany

* *  (Magn. Ant. + Verse) • 13th Sunday after Pentecost

(Version for singers, since this Tone is difficult, can
also be printed for the 13th Sunday after Pentecost.

* *  (Magn. Ant. + Verse) • 14th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 15th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 16th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 17th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 18th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 19th Sunday after Pentecost

Father Weinmann • 19th Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 20th Sunday after Pentecost

* *  (print double sided) • Christ the King Sunday

* *  (Magn. Ant. + Verse) • 21st Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 22nd Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 23rd Sunday after Pentecost

* *  (Magn. Ant. + Verse) • 24th and LAST Sunday after Pentecost

* *  (Complete Service) • 1st Sunday of Advent

* *  (Complete Service) • 2nd Sunday of Advent

* *  (Complete Service) • 3rd Sunday of Advent

* *  (Magn. Ant. + Verse) • 22 December (verse 10 has error)

* *  (Magn. Ant. + Verse) • Sunday after Christmas
For some reason, I find it easier to improvise the harmonies for psalm tones, rather than read them.

If you have never done Vespers before, this xerox sheet is (perhaps) the best way to begin.

EXTRAS:

“Booklet: Feast of the Transfiguration, 6 August”
*  PDF Download • ORGAN ACCOMPANIMENT (25 Pages)

12 December: Our Lady of Guadalupe

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Organ Accompaniment Magnificat, Vespers, Vespers Organist Scores Last Updated: May 13, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

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  • New Bulletin Article • “12 October 2025”

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