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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Vespers Organ Accompaniment — “Our Lady of Guadalupe” (12 December)

Jeff Ostrowski · December 12, 2021

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ARDINAL BARTOLUCCI was challenged (in 2008) vis-à-vis whether the pre-conciliar rites were “participatory.” He responded forcefully, citing a little town “in this beautiful countryside, at one time inhabited by people full of faith and piety. On Sunday at Vespers the priest would have been able to intone the Deus in adjutórium meum inténde and then fall asleep in the high-backed chair—not waking up until the CHAPTER—and the peasants would have continued on their own—and the heads of family would have intoned the antiphon!”

Our Lady of Guadalupe: Feel free to download this booklet I created for December 12th—“Feast of Our Lady of Guadalupe”—which in Mexico replaces the 3rd Sunday of Advent. For the Missale Antiquius, Our Lady of Guadalupe was a Double of the First Class in San Francisco, Santa Fe, Sacramento, Tucson, and Los Angeles.

*  PDF Download • Our Lady of Guadalupe (VESPERS)
—Congregational Booklet for December 12th (Vespers).
—Print on “double-sided” to create your booklet.

The organ accompaniment I created is pretty messy, but feel free to download it.

A False Claim :

Latin Mass parishes are falsely accused of “not following Vatican II.” How long will such a bizarre accusation be allowed? We recently saw that Bishop Robert E. Guglielmone issued a document explicitly contradicting Vatican II. He justified this by saying we must “follow” the Second Vatican Council. Does “following the Council” mean doing the exact opposite of what Vatican II specifically mandated? In what universe does that make sense? Here’s a quick reminder:

Vatican II said:
“Pastors of souls should see to it that the chief hours, especially Vespers, are celebrated in common in church on Sundays and the more solemn feasts. And the laity, too, are encouraged to recite the divine office, either with the priests, or among themselves, or even individually” (SC §100).

Vatican II said:
“Lauds and Vespers are the two hinges on which the daily office turns” (SC §89a).

Vatican II said:
“The Latin language is to be retained by clerics in the divine office” (SC §101).

You can watch a YouTube Video (with scrolling score) showing our congregation singing Vespers.

A Digression: In my Vespers booklet above, perhaps you noticed I sometimes ignore the episemata of the Classical Solesmes Method. If you’ve been following this blog for any length of time, you already know that I have all kinds of issues with adding such editorial “suggestions” (!) to the official edition, and Abbat Pothier was correct to point out that rarely do they reflect the Romanian signs accurately. Speaking of melismatic moræ vocis, those familiar with Gregorian Chant will have noticed some strange figurations in the “Ave Maria” from the 3rd Sunday of Advent. For instance, these two notes are supposed to form a “long note” according to the Classical Solesmes Method, but they’re too far apart for that:

In the Editio Vaticana—which is still the official edition of the Church—there is a “melismatic mora” there, which means there is supposed to be a “pause” (slight elongation) at the end of that neume:

This is the only example I know of where Dom Mocquereau changed or modified something significant in a subsequent edition, because you can see that the 1908 Solesmes edition does mark that melismatic mora:

A Case In Point: It would seem that Solesmes Abbey got a little “bolder” when it came to disobeying the Vatican after their 1908 edition met with success! By the way, the aforementioned Offertory (“Ave María”) is a perfect example of Solesmes contradicting the official edition in tons of places:

*  PDF Download • Melismatic Moræ Vocis (“Ave Maria”)
—The Solesmes edition of 1908 compared to the “pure” Editio Vaticana.

Finally, some examples of the “Ave María” plainsong from the Middle Ages:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: December 12th, Feast of Our Lady of Guadalupe, melismatic morae vocis, Vespers, Vespers Organist Scores Last Updated: December 3, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI

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