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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Vespers Organ Accompaniment — “Our Lady of Guadalupe” (12 December)

Jeff Ostrowski · December 12, 2021

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ARDINAL BARTOLUCCI was challenged (in 2008) vis-à-vis whether the pre-conciliar rites were “participatory.” He responded forcefully, citing a little town “in this beautiful countryside, at one time inhabited by people full of faith and piety. On Sunday at Vespers the priest would have been able to intone the Deus in adjutórium meum inténde and then fall asleep in the high-backed chair—not waking up until the CHAPTER—and the peasants would have continued on their own—and the heads of family would have intoned the antiphon!”

Our Lady of Guadalupe: Feel free to download this booklet I created for December 12th—“Feast of Our Lady of Guadalupe”—which in Mexico replaces the 3rd Sunday of Advent. For the Missale Antiquius, Our Lady of Guadalupe was a Double of the First Class in San Francisco, Santa Fe, Sacramento, Tucson, and Los Angeles.

*  PDF Download • Our Lady of Guadalupe (VESPERS)
—Congregational Booklet for December 12th (Vespers).
—Print on “double-sided” to create your booklet.

The organ accompaniment I created is pretty messy, but feel free to download it.

A False Claim :

Latin Mass parishes are falsely accused of “not following Vatican II.” How long will such a bizarre accusation be allowed? We recently saw that Bishop Robert E. Guglielmone issued a document explicitly contradicting Vatican II. He justified this by saying we must “follow” the Second Vatican Council. Does “following the Council” mean doing the exact opposite of what Vatican II specifically mandated? In what universe does that make sense? Here’s a quick reminder:

Vatican II said:
“Pastors of souls should see to it that the chief hours, especially Vespers, are celebrated in common in church on Sundays and the more solemn feasts. And the laity, too, are encouraged to recite the divine office, either with the priests, or among themselves, or even individually” (SC §100).

Vatican II said:
“Lauds and Vespers are the two hinges on which the daily office turns” (SC §89a).

Vatican II said:
“The Latin language is to be retained by clerics in the divine office” (SC §101).

You can watch a YouTube Video (with scrolling score) showing our congregation singing Vespers.

A Digression: In my Vespers booklet above, perhaps you noticed I sometimes ignore the episemata of the Classical Solesmes Method. If you’ve been following this blog for any length of time, you already know that I have all kinds of issues with adding such editorial “suggestions” (!) to the official edition, and Abbat Pothier was correct to point out that rarely do they reflect the Romanian signs accurately. Speaking of melismatic moræ vocis, those familiar with Gregorian Chant will have noticed some strange figurations in the “Ave Maria” from the 3rd Sunday of Advent. For instance, these two notes are supposed to form a “long note” according to the Classical Solesmes Method, but they’re too far apart for that:

In the Editio Vaticana—which is still the official edition of the Church—there is a “melismatic mora” there, which means there is supposed to be a “pause” (slight elongation) at the end of that neume:

This is the only example I know of where Dom Mocquereau changed or modified something significant in a subsequent edition, because you can see that the 1908 Solesmes edition does mark that melismatic mora:

A Case In Point: It would seem that Solesmes Abbey got a little “bolder” when it came to disobeying the Vatican after their 1908 edition met with success! By the way, the aforementioned Offertory (“Ave María”) is a perfect example of Solesmes contradicting the official edition in tons of places:

*  PDF Download • Melismatic Moræ Vocis (“Ave Maria”)
—The Solesmes edition of 1908 compared to the “pure” Editio Vaticana.

Finally, some examples of the “Ave María” plainsong from the Middle Ages:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: December 12th, Feast of Our Lady of Guadalupe, melismatic morae vocis, Vespers, Vespers Organist Scores Last Updated: December 3, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

The claim that the bishop or the priest originally celebrated “versus populum” is a legend, which Otto Nussbaum (d. 1999) originally did a great deal to spread.

— Dr. Helmut Hoping (University of Freiburg)

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  • “Dies Irae” • A Monstrous Translation

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