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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Vespers Organ Accompaniment — “Our Lady of Guadalupe” (12 December)

Jeff Ostrowski · December 12, 2021

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ARDINAL BARTOLUCCI was challenged (in 2008) vis-à-vis whether the pre-conciliar rites were “participatory.” He responded forcefully, citing a little town “in this beautiful countryside, at one time inhabited by people full of faith and piety. On Sunday at Vespers the priest would have been able to intone the Deus in adjutórium meum inténde and then fall asleep in the high-backed chair—not waking up until the CHAPTER—and the peasants would have continued on their own—and the heads of family would have intoned the antiphon!”

Our Lady of Guadalupe: Feel free to download this booklet I created for December 12th—“Feast of Our Lady of Guadalupe”—which in Mexico replaces the 3rd Sunday of Advent. For the Missale Antiquius, Our Lady of Guadalupe was a Double of the First Class in San Francisco, Santa Fe, Sacramento, Tucson, and Los Angeles.

*  PDF Download • Our Lady of Guadalupe (VESPERS)
—Congregational Booklet for December 12th (Vespers).
—Print on “double-sided” to create your booklet.

The organ accompaniment I created is pretty messy, but feel free to download it.

A False Claim :

Latin Mass parishes are falsely accused of “not following Vatican II.” How long will such a bizarre accusation be allowed? We recently saw that Bishop Robert E. Guglielmone issued a document explicitly contradicting Vatican II. He justified this by saying we must “follow” the Second Vatican Council. Does “following the Council” mean doing the exact opposite of what Vatican II specifically mandated? In what universe does that make sense? Here’s a quick reminder:

Vatican II said:
“Pastors of souls should see to it that the chief hours, especially Vespers, are celebrated in common in church on Sundays and the more solemn feasts. And the laity, too, are encouraged to recite the divine office, either with the priests, or among themselves, or even individually” (SC §100).

Vatican II said:
“Lauds and Vespers are the two hinges on which the daily office turns” (SC §89a).

Vatican II said:
“The Latin language is to be retained by clerics in the divine office” (SC §101).

You can watch a YouTube Video (with scrolling score) showing our congregation singing Vespers.

A Digression: In my Vespers booklet above, perhaps you noticed I sometimes ignore the episemata of the Classical Solesmes Method. If you’ve been following this blog for any length of time, you already know that I have all kinds of issues with adding such editorial “suggestions” (!) to the official edition, and Abbat Pothier was correct to point out that rarely do they reflect the Romanian signs accurately. Speaking of melismatic moræ vocis, those familiar with Gregorian Chant will have noticed some strange figurations in the “Ave Maria” from the 3rd Sunday of Advent. For instance, these two notes are supposed to form a “long note” according to the Classical Solesmes Method, but they’re too far apart for that:

In the Editio Vaticana—which is still the official edition of the Church—there is a “melismatic mora” there, which means there is supposed to be a “pause” (slight elongation) at the end of that neume:

This is the only example I know of where Dom Mocquereau changed or modified something significant in a subsequent edition, because you can see that the 1908 Solesmes edition does mark that melismatic mora:

A Case In Point: It would seem that Solesmes Abbey got a little “bolder” when it came to disobeying the Vatican after their 1908 edition met with success! By the way, the aforementioned Offertory (“Ave María”) is a perfect example of Solesmes contradicting the official edition in tons of places:

*  PDF Download • Melismatic Moræ Vocis (“Ave Maria”)
—The Solesmes edition of 1908 compared to the “pure” Editio Vaticana.

Finally, some examples of the “Ave María” plainsong from the Middle Ages:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: December 12th, Feast of Our Lady of Guadalupe, melismatic morae vocis, Vespers, Vespers Organist Scores Last Updated: December 3, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“There’s a world of difference between a thoughtful, wise Catholic and a bitter contrarian. In spite of what is claimed on certain blogs, being addicted to cable news and twitter does not make one an intellectual.”

— Jeff Ostrowski

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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