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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Palestrina “Gloria” w/ practice videos!

Jeff Ostrowski · May 23, 2019

HOSE REGISTERED for Symposium 2019 should have received an email this morning containing practice videos for all the music. Some who participate sight-read music perfectly—and such people don’t need the practice videos. But some do appreciate the videos, which make rehearsals more fruitful. This is especially true because the Symposium is always jam-packed with various sessions and presentations. (We have always been careful not to fall into a very common “trap” at similar conferences: where rehearsals are prioritized to the exclusion of everything else.)

The following will help participants learn the Gloria:

    * *  PDF Download • Palestrina “GLORIA” (6 pages)

EQUAL VOICES : YouTube   •   Mp3 LabeledI
SOPRANO : YouTube   •   Mp3 LabeledI
ALTO : YouTube   •   Mp3 LabeledI
TENOR : YouTube   •   Mp3 LabeledI
BASS : YouTube   •   Mp3 Labeled


Have you registered yet?

Only a few spots remain as of 23 May 2019.

Apply for Sacred Music Symposium 2019.

88027 sperabo NE REASON people come back to the Symposium year after year has to do with repertoire selection. Rather than choosing only the “standard warhorses”—pieces which are sung over and over and over—we bring to light masterpieces that have been overlooked. It’s breathtaking to recall pieces known today only because our Symposium discovered them. Examples include Guerrero’s Beata Mater Mass, Monsignor Jules Van Nuffel’s Pater Noster, Guerrero’s Missa Iste Sanctus, and so many more. These are not inferior pieces. Indeed, I don’t know a setting more powerful than those two by Guerrero—and I am dead serious. This year, the conference is focused on hymnody.

Palestrina’s Mass can be called by several different names:

    * *  PDF • EXPLANATION: Palestrina’s Title and Cantus Firmus

Incredibly, nobody has ever created a naming system for Gregorian tunes. (A musicology student should really make this into a dissertation!) Metrical hymns have a “flawed” naming system. It’s flawed because sometimes there are numerous names for the same tune: e.g. HALTON HOLGATE is also called SHARON and JERSEY and BOYCE. The opposite problem is also true; e.g. WALTHAM refers to one melody in Hymns Ancient and Modern (#324), a totally different melody in the New English Hymnal, and a totally different one in the Episcopal 1940 Hymnal (#259).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Angularis fundamentum” is typically sung at the dedication or consecration of a church and on church anniversaries. For constructions too numerous to list in recent generations, it would be more appropriate to sing that Christ had been made a temporary foundation. A dispirited generation built temporary housing for its Lord, and in the next millnenium, the ease of its removal may be looked back upon as its chief virtue.

— Fr. George Rutler (2016)

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