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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Palestrina “Gloria” w/ practice videos!

Jeff Ostrowski · May 23, 2019

HOSE REGISTERED for Symposium 2019 should have received an email this morning containing practice videos for all the music. Some who participate sight-read music perfectly—and such people don’t need the practice videos. But some do appreciate the videos, which make rehearsals more fruitful. This is especially true because the Symposium is always jam-packed with various sessions and presentations. (We have always been careful not to fall into a very common “trap” at similar conferences: where rehearsals are prioritized to the exclusion of everything else.)

The following will help participants learn the Gloria:

    * *  PDF Download • Palestrina “GLORIA” (6 pages)

EQUAL VOICES : YouTube   •   Mp3 LabeledI
SOPRANO : YouTube   •   Mp3 LabeledI
ALTO : YouTube   •   Mp3 LabeledI
TENOR : YouTube   •   Mp3 LabeledI
BASS : YouTube   •   Mp3 Labeled


Have you registered yet?

Only a few spots remain as of 23 May 2019.

Apply for Sacred Music Symposium 2019.

88027 sperabo NE REASON people come back to the Symposium year after year has to do with repertoire selection. Rather than choosing only the “standard warhorses”—pieces which are sung over and over and over—we bring to light masterpieces that have been overlooked. It’s breathtaking to recall pieces known today only because our Symposium discovered them. Examples include Guerrero’s Beata Mater Mass, Monsignor Jules Van Nuffel’s Pater Noster, Guerrero’s Missa Iste Sanctus, and so many more. These are not inferior pieces. Indeed, I don’t know a setting more powerful than those two by Guerrero—and I am dead serious. This year, the conference is focused on hymnody.

Palestrina’s Mass can be called by several different names:

    * *  PDF • EXPLANATION: Palestrina’s Title and Cantus Firmus

Incredibly, nobody has ever created a naming system for Gregorian tunes. (A musicology student should really make this into a dissertation!) Metrical hymns have a “flawed” naming system. It’s flawed because sometimes there are numerous names for the same tune: e.g. HALTON HOLGATE is also called SHARON and JERSEY and BOYCE. The opposite problem is also true; e.g. WALTHAM refers to one melody in Hymns Ancient and Modern (#324), a totally different melody in the New English Hymnal, and a totally different one in the Episcopal 1940 Hymnal (#259).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

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  • New Bulletin Article • “12 October 2025”

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