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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Complete Kyriale on Modern Staves!

Jeff Ostrowski · May 2, 2019

VEN TODAY, masters of the Gregorian Repertoire can be found. One example is Dr. Horst Buchholz, who currently serves as choirmaster at the Cathedral Basilica of Saint Louis, Missouri. He has many talents. For example, Dr. Buchholz can look at Gregorian notation and immediately create beautiful organ accompaniments—and I’ve seen him do it. Most organists agree that if one chooses to accompany plainsong, Dr. Buchholz’s approach is the best. Were I to attempt such a thing, I would probably “cheat” by using this marvelous edition by Dr. Karl Weinmann, printed on modern staves:

    * *  PDF Download • GREGORIAN KYRIALE on Modern Staves (94 pages)

It was first printed in 1909. A century later, we scanned the book and placed it online. You can read the Preface in English thanks to Dr. Janya Martin.

84727 modern staves GREGORIAN


In a certain sense, I feel Dr. Weinmann really did create a powerful tool in 1909. On the other hand, it might be dangerous—because it will prevent singers from learning how to read Gregorian notation properly. By the way, this book never caught on because of a certain “situation” that developed involving a quarrel between the Solesmes monastery and the Sacred Congregation of Rites—but that’s another story for another day! The final result: Rome officially stopped any publisher from printing “modified” versions of the Editio Vaticana, and Weinmann’s edition certainly does modify the neumes by making the Porrectus (“flexus resupinus”) easier to read.

One thing cannot be doubted: This “inexpensive choral edition” (as the Preface refers to it) must have required a tremendous effort to produce, especially in such a beautiful and professional way.

If you visit the St. Jean de Lalande Library of Rare Books, you can download the complete Graduale by Weinmann: all 678 pages!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Karl Weinmann 1873-1929 Last Updated: October 11, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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