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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Update! • Accompaniments for the Brébeuf Hymnal

Jeff Ostrowski · February 14, 2019

E HAVE RECEIVED an update regarding the organ accompaniments for the Brébeuf Hymnal. I’ve been helping proofread for months and could not be more excited about them! To read the update, please visit the Brébeuf website and scroll to the bottom. Oh, if only…

If only you knew how much work is going on “behind the scenes” for the Brébeuf Hymnal. You ain’t seen nothing yet! We have truly amazing things planned. One of the most important is a “hymn planning guide” that will greatly assist those who use the Brébeuf Hymnal. Incidentally, here is an example of how the accompaniments sound:


Visit the Brébeuf Hymnal and locate number 266 to hear the other voices: SOPRANO, ALTO, TENOR, and BASS. Many readers won’t do that, which makes me sad. The Tenor voice is really cool. You should see it.

HE ENGLISH VERSION given in that video for Jesu Redemptor Omnium was created by Monsignor Ronald Knox, who was a total genius. Look how closely he matches the literal translation of the Latin, while still rendering the text singable:


Version by Monsignor Knox:

1. Savior of all, for ever One
With God the Father; only Son,
Whom he alone, when time was not,
Past our imagining, begot,

2. Splendor and light of his own fire,
Eternal hope of man’s desire,
Look down and hear the prayers that we
In world-wide homage make to thee.


Accurate Translation of the Latin:

O Christ, Redeemer of all,
Only-begotten of the Father,
alone born of the Father
inexpressibly and before the beginning:

2. Thou light, thou radiance of the Father,
thou undying hope of all,
pay heed to the prayers that thy servants
pour forth throughout the earth.


Now compare that to something chosen as the 2020 “synod hymn” for the (Roman Catholic) Archdiocese of Liverpool:

85408 synod hymn


You can click here to hear a performance. If you think I’m pulling your leg, visit their website, and download a pdf of that hymn.

The Brébeuf Hymnal is based on the authentic core of Catholic hymnody. We completely reject many of the modern songs found in publications by the “Big Three,” such as this example from the Worship Hymnal (GIA). I don’t wish to be divisive, hurtful, or argumentative; but neither will I pretend the Brébeuf Hymnal is “basically the same” as other publications. It’s not.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jean de Brebeuf Hymnal Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Impelled by the weightiest of reasons, we are fully determined to restore Latin to its position of honor, and to do all We can to promote its study and use. The employment of Latin has recently been contested in many quarters, and many are asking what the mind of the Apostolic See is in this matter. We have therefore decided to issue the timely directives contained in this document, so as to ensure that the ancient and uninterrupted use of Latin be maintained and, where necessary, restored.”

— Pope John XXIII (22 February 1962)

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