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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Mister Eye” • Do You Mind Him?

Jeff Ostrowski · January 2, 2019

HE WAY WE PRONOUNCE English in 2019 does not always correspond to how English was pronounced in former centuries. In the days of Shakespeare, the word FLIES rhymed with ENEMIES. Certain types of poetry also tolerate what’s called an “eye rhyme”—when two words look the same but are pronounced differently: Sean+Bean; Cough+Bough; Food+Good; Death+Wreath; Love+Move; and so forth.

Whenever possible—and it was not always possible—the Brébeuf Hymnal avoided rhymes such as this one, found in the Cantate Omnes Hymnal (produced in 1952 by the Church Musicians’ Guild of Buffalo):

85761 Mister Eye

For the record, “call” and “festival” (verse 2) no longer rhyme; although they probably did in the 17th century, when Sir Walter Kirkham Blount wrote this translation for a Roman Catholic Missal. It was not always possible for the Brébeuf Hymnal to avoid such rhymes. Indeed, if you examine its 932 pages, you’ll notice several. However, we tried to avoid any that were especially prominent.

The following example by Father Faber is considered by some to be an eye rhyme, because they claim these two words no longer rhymed in the 19th century:

Most ancient of all mysteries,
Before Thy throne we lie;
Have mercy now, most merciful,
Most holy Trinity.

(Because of this hymn, a young child once asked his mother why it was okay to tell lies when we are before the Throne of God…)

Are you bothered by eye rhymes? Let us know in the combox on the CCW Facebook page.

PDF Download • 615 page book:

You can download the entire (marvelous!) Roman Catholic Holy Week book—“The Office of the Holy Week According to the Missall and Roman Breviary”—by Sir Walter Kirkham Blount, published in 1670AD:

*  PDF Download • Holy Week Book (1670AD)
—The Office of the Holy Week According to the Missall and Roman Breviary.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Affordable Hymnal for Catholic Parishes, Jean de Brebeuf Hymnal Last Updated: April 10, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The Sacrifice is celebrated with many solemn rites, none of which should be deemed useless or superfluous. On the contrary, all of them tend to display the majesty of this august sacrifice, and to excite the faithful, when beholding these saving mysteries, to contemplate the divine things which lie concealed in the Eucharistic Sacrifice.

— Catechism of the Council of Trent (1566)

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