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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Sunday Vespers”

Jeff Ostrowski · August 7, 2018

AST SUNDAY, we began singing Sunday Vespers. From now on, we will do this each week as a parish. Vespers is actually pretty complicated if one remembers to place in all the rubrics, starting pitches, parallel translations, and so forth. I find my solution fully adequate…but quite ugly.

UPDATE (21 September 2020):

Mr Bloomfield has solved all these problems!

*  PDF Download • “Vespers for Sundays & Holy Days”
—465-page booklet can be downloaded or purchased.

Each week, I will think about how I can make the booklets more beautiful. After a year, I believe I will have found a layout I consider worth printing. Until then, if you want to get your parish singing Sunday Vespers, feel free to use our version:

* *  PDF Download • SUNDAY VESPERS (Testing)

Everything except the Magnificat remains the same each week until Advent. Therefore, I had to create this sheet for 5 August 2018. 1 As time goes on, we will also add organ accompaniment. We will also employ special versions for the hymn.

* *  Magnificat • 24th Sunday after Pentecost

* *  Magnificat • 6th “resumed” Sunday after Epiphany

* *  Magnificat • 5th “resumed” Sunday after Epiphany

* *  Magnificat • 4th “resumed” Sunday after Epiphany

* *  Magnificat • 16th Sunday after Pentecost

* *  Magnificat • 17th Sunday after Pentecost

* *  Magnificat • 18th Sunday after Pentecost

* *  Magnificat • 19th Sunday after Pentecost

* *  Magnificat • 20th Sunday after Pentecost

* *  Magnificat • 21st Sunday after Pentecost

* *  Magnificat • 22nd Sunday after Pentecost

ORRY TO SWITCH TOPICS, but if you look in the Summit Hymnal (published in 1983 by the Dominican Monastery of Our Lady of the Rosary) you will find on page 517 a “combination descant.” The editor says one can combine their harmony for HALTON HOLGATE with the popular hymn tune called MONKLAND. They provide both, so there’s no possibility of melody variants.

A member of the Brébeuf Hymnal editorial team first brought this to my attention, and we got excited. The Summit Hymnal is one of the better hymnals…but—alas!—this turned out to be a lie:

* *  PDF Download • Copyrighted Descant “Fail”

But it doesn’t work. What a huge disappointment—it would have been spectacular if it worked. The Summit Hymnal editor even copyrighted what they call the “Tune-Descant combination.” But it’s a lie.

It just doesn’t work; they break all the rules of writing descants and several parts sound terrible.

87994 monk writes


NOTES FROM THIS ARTICLE:

1   Each week, I must create a similar sheet—unless I can successfully convince each choir member to purchase a copy of the Liber Usualis.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Vespers Last Updated: July 31, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

Recent Posts

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  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs
  • Typo in the “Missale Romanum” (1962)

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