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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for August 2018

Dr. Lucas Tappan · August 31, 2018

New Catholic Choral School…in Detroit!

“Qui bene cantat bis orat!”

Richard J. Clark · August 31, 2018

Join a Choir! Now!

When you sing in a choir, know that you will impact people’s lives in ways you cannot imagine and likely in ways you will never know.

Jeff Ostrowski · August 30, 2018

Simple Mass Propers (1909)

When choirs cannot sing the proper properly…

Dr. Alfred Calabrese · August 29, 2018

Saving the Church, One Choir at a Time

On the ground in our parishes and in our choirs is where the truth lies. Let us not retreat.

Jeff Ostrowski · August 27, 2018

PDF • Scottish Catholic Hymnal (453 Pages)

“Authorized by the archbishops and bishops of Scotland for use in the Scottish dioceses.”

Andrew Leung · August 23, 2018

New Discovery in Canada

Some great contemporary choral works from a Canadian composer.

Jeff Ostrowski · August 22, 2018

“Adoro Te Devote” • A Bad Translation in Hymnals

How can people claim this is a translation of the hymn by St. Thomas Aquinas?

Jeff Ostrowski · August 21, 2018

14th Sunday after Pentecost (Extraordinary Form)

“Now if God so clothe the grass of the field, which is today, and tomorrow is cast into the oven, how much more you, O ye of little faith!”

Jeff Ostrowski · August 20, 2018

“Vatican II Hymnal” (1974) by Terry L. Haws

“It is also tragic to note that the hymnal was officially approved by the music commission of the Archdiocese of Seattle.” —Fr. Joseph Roff

Jeff Ostrowski · August 16, 2018

Rehearsal videos • “Gloria” by Father Victoria

How important is honesty?

Jeff Ostrowski · August 15, 2018

13th Sunday after Pentecost (Extraordinary Form)

“Have regard, O Lord, to Thy covenant, and forsake not to the end the souls of Thy poor.”

Andrew Leung · August 14, 2018

A Chinese “Ave Maria”

Ave Maria composed in Chinese style by Mons. Anthony CM Lau.

Jeff Ostrowski · August 13, 2018

PDF Download • “Leeds Catholic Hymnal” (232 pages)

A hymnal out of print for fifty years has been scanned by Mr. Colin E. Jackson!

Fr. David Friel · August 12, 2018

The New Spanish Missal as Opportunity

Seizing the Moment to Sing a Truly New Song to the Lord

Richard J. Clark · August 10, 2018

Janet Hunt and Music of the Pipe Organ • “On a Sacred Note”

Catholic TV focuses on the indispensable role of the pipe organ with Janet Hunt.

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

Recent Posts

  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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