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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Catholic Choral School…in Detroit!

Dr. Lucas Tappan · August 31, 2018

LMT Blessed Sacrament Cathedral Detroit O SING WELL IS TO PRAY TWICE. There is such musicality in the Latin original—Qui bene cantat… St. Augustine might not have said it, but he should have. If one takes the phrase “to sing well” both in a literal sense and in a spiritual sense, it then encompasses the vocation of the Christian, to praise God in the quiet of his heart and as well as in the actions of his life. It reminds me of the blessing given to cantors by decree of the Council of Carthage (c. 398AD): 

Vide, ut quod ore cantas, corde credas, et quod corde credis, operibus comprobes

“See that what thou singest with thy lips thou dost believe in thine heart, and that what thou believest in thine heart thou dost show forth in thy works.”

To sing well is to pray twice. We have all heard the phrase bantered about by well meaning, but exasperated Christians, whether it comes from a pastor whose congregation won’t sing or a mother whose sons refuse to sway to the churchy tunes (perhaps in our secularized world most young people prefer not to pray, much less pray twice). Unfortunately the emphasis is always on the outward act of singing, with little attention given to the interior formation that must take place before the outward forms mean anything. Fortunately for the Church in America, the Archdiocese of Detroit recently announced a plan to cultivate the sweet vintage of sanctity (interior) and sacred music (exterior) via the creation of an archdiocesan choral foundation at the Cathedral of the Most Blessed Sacrament in the tradition of the English choir school. As I understand it, this is the fruition of a long held dream of Archbishop Vigneron and I firmly believe the Church in Michigan will be better for it.

Officially named the Cathedral Choir Academy of Detroit and open to students in grades 3-9, its mission is “to provide an experience in which choristers encounter Christ through sacred music, grow in faith and musical excellence, and give witness to the Word Incarnate.  The program is clearly rooted in faith formation and in step with the New Evangelization.” It is hoped that within five years the program will be expanded to serve youth in the first and second grades (pre-chorister music training) through high school. Susan Lindquist, a veteran music teacher in the archdiocese of Detroit will lead the program, working in concert with Cathedral Rector Fr. J. J. Mech and Cathedral Music Director, Joe Balistreri. I have been privileged to know Susan for a couple of years and can testify to her orthodox faith and love for sacred music as well as her ability to teach children and communicate the choir school’s mission and vision to others. Her enthusiasm really is quite infectious and it was through her that I learned one of my favorite phrases regarding the importance of teaching children good music… “The fact that children can make beautiful music is less significant than the fact that music can make beautiful children” (attributed to Cheryl Lavender).

    * *  Notes on the Cathedral Choir Academy of Detroit

Susan took over the cathedral children’s choir last year, which until then had been comprised of children primarily from the cathedral parish, and grew the program to three times its size while expecting the choristers to hold their own alongside the cathedral’s fine adult choir. In its current form, the program consists of a training choir as well as a children’s choir, which sings once a month. This allows choristers to continue singing in their own parish choirs as well as at the cathedral. By partnering with children choirs across the archdiocese the Cathedral Choir Academy hopes to share its work with individual parishes, fostering Faith and music in all the youth. Balistreri (cathedral music director) also sought out and secured a partnership between the Choir Academy and the Sistine Chapel Choir, and while the particular details of that relationship are currently being hashed out, it shows the desire of Joe Balistreri, Susan Lindquist and the entire cathedral community to foster the Church’s musical heritage to a high degree, especially in the youth, and drawing them ever more closely to Christ.

Please join your prayers to mine for the success of this new venture, perhaps even offering up a Te Deum in the fullest sense of actual participation.

Qui bene cantat bis orat.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

The Council of Trent taught: “In this divine sacrifice which takes place at Mass, the same Christ is present and is immolated in an unbloody manner, Who once on the Cross offered Himself in a bloody manner. For the victim is one and the same, now offering through the ministry of priests, Who then offered Himself on the Cross; only the manner of offering is different” (Session XXII, cap. 2, Denzinger, n. 940).

— Pope Pius XII (2 November 1954)

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