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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2018

Jeff Ostrowski · May 31, 2018

Is The Brébeuf Hymnal Too Scrupulous?

Why so much deliberation over every choice? Why so much discussion about a single stanza, or even a single word?

Andrew Leung · May 31, 2018

Summer Sacred Music Workshop 2018

Summer Sacred Music Workshop 2018 in Charlotte, NC!

Jeff Ostrowski · May 28, 2018

Can Plainsong Be Harmonized? • (Rehearsal Video)

I included several nasty “Medicæa” harmonizations from the 19th century…

Jeff Ostrowski · May 28, 2018

How Serious Are They About The Accent?

Mode 7 is one of the “tricky” psalm tones.

Guest Author · May 27, 2018

Marian Concert: Carmelite Sisters and Credo Choir

The Carmelite Sisters at Santa Teresita rarely sing for the public.

Fr. David Friel · May 27, 2018

The Centrality of the Sign of the Cross

The Roman Rite revolves around this sign of our salvation

Jeff Ostrowski · May 22, 2018

Rehearsal videos • Missa “Ave Maris Stella” (Victoria)

The Alto line goes down low a few times—but in those days, men might have sung this.

Veronica Brandt · May 19, 2018

Benedictines in Tasmania a Year Already

The Notre Dame Priory continues to attract postulants and may have found a permanent home.

Jeff Ostrowski · May 16, 2018

“Outer Space Hymn” (1966) • In A Catholic Hymnal

Discussion of horrible things that have (sadly) appeared in Catholic hymnals, such as: “And as we float along through outer space, | Past galaxies aglow in dark’s embrace, | Toward other worlds where brothers may await, | Do care for us now in our weightless state.” (Imprimatur 1966)+

Dr. Lucas Tappan · May 15, 2018

Too Much Emphasis On Liturgy? • A Response

Perhaps the supposed over emphasis on the Liturgy among younger Catholics today is just a response to its devaluation since the 1960s.

Corpus Christi Watershed · May 14, 2018

Serving Latin Mass • Learn from FSSP Seminarians!

Sensational opportunity for Roman Catholic boys of all ages!

Fr. David Friel · May 13, 2018

Fota XI Liturgy Conference

This annual conference will be held July 7–9, 2018 in Cork, Ireland.

Andrew Leung · May 10, 2018

Hereford Cathedral Choir to Sing at the Vatican

The Hereford Cathedral Choir has been invited to sing Mass at St. Peter’s Basilica.

Jeff Ostrowski · May 9, 2018

Los Angeles • Audio Excerpts from Solemn Mass

Posting choral singing captured by a pocket recorder is always risky…

Jeff Ostrowski · May 8, 2018

“Pater Noster” by Monsignor Jules Van Nuffel

A “contemporary” composer who’s inspired me since 1998.

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

Recent Posts

  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs
  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?

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