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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • Rare German Hymnal (879 pages)

Jeff Ostrowski · March 6, 2018

90119 Proofreaders ERE’S a dirty little secret about hymnal editors: some do nothing more than compile hymns from their youth plus additions from 2-3 major hymnals. We have taken a different approach in the creation of the St. Jean de Brébeuf Hymnal—for five years, we have collected 77,000 pages from rare Catholic hymnals, choosing the very best. We have also commissioned contemporary texts and melodies. Ours is unlike any hymn book produced in the last 100 years.

Most German hymnals we’ve come across contain words only—but this one has harmonies:

    * *  PDF Download • 1847 Hymnal (879 pages)

For reasons I don’t fully understand, the most beautiful hymn tunes we’ve discovered are usually English or German in origin.

Before long, proofreading will begin for the Brébeuf hymnal. Those interested in proofreading the St. Jean de Brébeuf Hymnal should email the committee. My understanding is they’re searching for proofreaders. Make sure the word “proofreader” is in your email subject line.

What Dr. Hugo Riemann has to say about Fr. Lück’s Hymnal:

Gesang- und Gebetbuch für die Diözese Trier (1847)
“Hymnal and Prayer Book for the Diocese of Trier” (1847)

Lück, Stephan, b. Jan. 9, 1806, Linz-a-Rh., d. Nov. 4, 1883, Trèves, studied at Linz, Bonn, Trèves, took holy orders Sept. 20, 1828; up to 1831 he was chaplain at Kreuznach, up to 1835 parish priest at Waldalgesheim, up to 1849 professor of moral philosophy at the clerical college, Trèves, and, finally, became member of the cathedral chapter in that city. Lück distinguished himself in the restoration of Catholic Church music. He published; “Gesang und Gebetbuch für die Diöcese Trier” (1846); “Theoretisch-praktische Anleitung zur Herstellung eines würdigen Kirchengesanges” (1856); “Sammlung ausgezeichneter Kompositionen für die Kirche” (1859)—the 2nd edition (in four volumes) was published by M. Hermesdorff (1884) and H. Oberhoffer (1885).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

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