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Views from the Choir Loft

PDF Download • Rare German Hymnal (879 pages)

Jeff Ostrowski · March 6, 2018

90119 Proofreaders ERE’S a dirty little secret about hymnal editors: some do nothing more than compile hymns from their youth plus additions from 2-3 major hymnals. We have taken a different approach in the creation of the St. Jean de Brébeuf Hymnal—for five years, we have collected 77,000 pages from rare Catholic hymnals, choosing the very best. We have also commissioned contemporary texts and melodies. Ours is unlike any hymn book produced in the last 100 years.

Most German hymnals we’ve come across contain words only—but this one has harmonies:

    * *  PDF Download • 1847 Hymnal (879 pages)

For reasons I don’t fully understand, the most beautiful hymn tunes we’ve discovered are usually English or German in origin.

Before long, proofreading will begin for the Brébeuf hymnal. Those interested in proofreading the St. Jean de Brébeuf Hymnal should email the committee. My understanding is they’re searching for proofreaders. Make sure the word “proofreader” is in your email subject line.

What Dr. Hugo Riemann has to say about Fr. Lück’s Hymnal:

Gesang- und Gebetbuch für die Diözese Trier (1847)
“Hymnal and Prayer Book for the Diocese of Trier” (1847)

Lück, Stephan, b. Jan. 9, 1806, Linz-a-Rh., d. Nov. 4, 1883, Trèves, studied at Linz, Bonn, Trèves, took holy orders Sept. 20, 1828; up to 1831 he was chaplain at Kreuznach, up to 1835 parish priest at Waldalgesheim, up to 1849 professor of moral philosophy at the clerical college, Trèves, and, finally, became member of the cathedral chapter in that city. Lück distinguished himself in the restoration of Catholic Church music. He published; “Gesang und Gebetbuch für die Diöcese Trier” (1846); “Theoretisch-praktische Anleitung zur Herstellung eines würdigen Kirchengesanges” (1856); “Sammlung ausgezeichneter Kompositionen für die Kirche” (1859)—the 2nd edition (in four volumes) was published by M. Hermesdorff (1884) and H. Oberhoffer (1885).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is most important that when the faithful assist at the sacred ceremonies … they should sing alternately with the clergy or the choir, as it is prescribed.”

— ‘Pope Pius XI, Divini Cultus (20 Dec 1928) §9’

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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