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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Rorate Mass” (13 pages) —Dec 2017

Jeff Ostrowski · December 13, 2017

3637 RORATE MASS O PREPARE for our sunrise Rorate Mass on Saturday morning (here at FSSP.la) I have completely redone the booklet from which we will sing. It’s one of my better booklets, and I think you’ll appreciate how I’ve indicated starting pitches.

    * *  PDF Download • RORATE MASS (13 pages)

The famed Mrs. Veronica Brandt generously helped me create the Offertory Hymn—thanks to the melody found in Hymni de Tempore et de Sanctis—to which we added an “Urbanite” translation by Fr. Adrian Fortescue (d. 1923). We chose Mass X, which is supposedly a more ancient “Blessed Virgin Mass” than Mass IX—although Mass IX is also fantastic.

I do not know a more gorgeous melody or text than Virgo Dei Genitrix, which we selected to sing during Communion. Do you?

Here is the translation for VERBUM SUPERNUM PRODIENS—for Advent, not the one by St. Thomas Aquinas—by Fortescue:

(Advent) Verbum Supernum Prodiens

IGH WORD of God,
coming forth from the eternal Father,
who being born in the fullness of time
dost succour the world;

2. Enlighten now our hearts
and burn them with love of thee,
that leaving earthly things
they be filled with heavenly joy.

3. And when the tribunal of the great judge
condemns the wicked to fire,
when his voice calls
the good to their reward in heaven,

4. Let us not be cast into the darkness
to burn in flames,
but may we share the joy of heaven,
seeing the face of God.

5. To the Father, to the Son,
to the Holy Spirit,
as it was, so always
for all ages be glory.

Somebody has created an alternate version of the same hymn, but the melody is not identical.

Veronica also sent Latin only version, for people who don’t like English translations.

(Of course, I’m not sure how perfect that Fortescue translation is, because Pope Urban VIII messed with some of the hymns pretty bad…)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“We have baptized about 240 this year … All the labors of a million persons—would they not be worthwhile if they gained one single soul for Jesus Christ?”

— Father Isaac Jogues, writing to his mother

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  • New Bulletin Article • “12 October 2025”

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