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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Rorate Mass” (13 pages) —Dec 2017

Jeff Ostrowski · December 13, 2017

3637 RORATE MASS O PREPARE for our sunrise Rorate Mass on Saturday morning (here at FSSP.la) I have completely redone the booklet from which we will sing. It’s one of my better booklets, and I think you’ll appreciate how I’ve indicated starting pitches.

    * *  PDF Download • RORATE MASS (13 pages)

The famed Mrs. Veronica Brandt generously helped me create the Offertory Hymn—thanks to the melody found in Hymni de Tempore et de Sanctis—to which we added an “Urbanite” translation by Fr. Adrian Fortescue (d. 1923). We chose Mass X, which is supposedly a more ancient “Blessed Virgin Mass” than Mass IX—although Mass IX is also fantastic.

I do not know a more gorgeous melody or text than Virgo Dei Genitrix, which we selected to sing during Communion. Do you?

Here is the translation for VERBUM SUPERNUM PRODIENS—for Advent, not the one by St. Thomas Aquinas—by Fortescue:

(Advent) Verbum Supernum Prodiens

IGH WORD of God,
coming forth from the eternal Father,
who being born in the fullness of time
dost succour the world;

2. Enlighten now our hearts
and burn them with love of thee,
that leaving earthly things
they be filled with heavenly joy.

3. And when the tribunal of the great judge
condemns the wicked to fire,
when his voice calls
the good to their reward in heaven,

4. Let us not be cast into the darkness
to burn in flames,
but may we share the joy of heaven,
seeing the face of God.

5. To the Father, to the Son,
to the Holy Spirit,
as it was, so always
for all ages be glory.

Somebody has created an alternate version of the same hymn, but the melody is not identical.

Veronica also sent Latin only version, for people who don’t like English translations.

(Of course, I’m not sure how perfect that Fortescue translation is, because Pope Urban VIII messed with some of the hymns pretty bad…)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“During Lent…the use of musical instruments is allowed only so as to support the singing. Nevertheless, Laetare Sunday (the Fourth Sunday of Lent), Solemnities and Feasts are exceptions to this rule.”

— ‘Roman Missal, 3rd Edition (2011)’

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