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Views from the Choir Loft

PDF Download • “How To Serve Mass” (1651)

Jeff Ostrowski · November 29, 2017

3770 Sperabo ERY LITTLE has escaped our perusal when it comes to research materials for the St. Jean de Brébeuf Hymnal. We even look through ancient Roman Catholic Primers, which (believe it or not) translate into English the Breviary hymns, and some of these books date back more than 400 years—not long after the time of King Henry VIII. As Eamon Duffy has pointed out, however, such Primers contain much more than English hymn translations.

The following was taken from a 1651AD Primer:

    * *  PDF Download • “How to serve Mass” (1651AD)

The Brébeuf hymnal does have beautiful hymn texts and tunes by modern composers and Catholics poets—but we also include some excellent ancient hymns. I’ve never seen any book that comes close to what we’re putting together, and I find myself in awe of the knowledge displayed by the scholars serving on our hymnal committee. And I end up feeling pretty inadequate!

A few excerpts:

When you see the Priest spread his Hands over the Chalice,
light your Wax-Candle; kneel, and with your other Hand
hold up the Vestment, till the Elevation be past;
that done, kiss the Vestment, put out the Candle;
and so often as you pass by the Blessed Sacrament,
do Reverence on your Knees.

[ … ]

The Clerk kneeling must give the Pax to the Priest to kiss,
and answer, “P. Pax tecum. C. Et cum spiritu tuo.”
Pausing a little, arise, make Adoration to the Sacrament,
give the Pax to those present, observe Order of calling, and Years:
Which done, be ready to give Wine and Water to the Priest;
and if there be Communicants, provide Towel and Taper,
and say Confiteor: After they have received the Host,
give them Wine, remove the Book to the Left Hand
of the Altar, take away the Towel, depart to your former place.

[ … ]

So put out the Candles, and look they spoil not
the Altar-Clothes, and lay up all handsomely.
If you have leisure, meditate a while, kiss the Altar, saying,
“I will adore in the Place where his Feet stood,” and depart.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Legitimate and necessary concern for current realities in the concrete lives of people cannot make us forget the true nature of the liturgical actions. It is clear that the Mass is not the time to “celebrate” human dignity or purely terrestrial claims or hopes. It is rather the sacrifice which renders Christ really present in the sacrament.

— Pope Saint John Paul II (20 March 1990)

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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