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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Congregational “Dies Irae”

Jeff Ostrowski · October 29, 2017

4104 TE IGITUR mss Y NOW, MOST OF US have seen the video showing Jorge Cardinal Bergoglio (who would later be elected Pope Francis) celebrating Mass with ginormous walking puppets. To be completely honest, I find videos like that troubling. 1 When we see discouraging fruits of Vatican II reforms, it can be difficult to understand why liturgical reform was desired in the first place. In my view, however, there were improvements that could be made to the liturgical situation before Vatican II—and let me give two examples.

First of all, I believe there was often needless space between Altar and congregation. Many centuries ago, this was not the case—and soon we’ll publish an article with a superb explanation by a perspicacious priest. But leaving that aside, over the centuries it became common for the Altar to be extremely far away (JPEG) from those attending Mass. I have assisted at Mass in Europe where the priest was so far away I had no idea what was going on. I believe the Fathers of Vatican II wanted congregations to take a more active role during the Holy Mass, and excessive space between ceremonies and people is not a good thing. 2

Secondly, I believe we can always do a better job of helping our congregations participate. For example, many choirs will visit the René Goupil Website and download the Dies Irae sheet or rehearse using the video posted there. But what about the people? Of those who remembered to bring a hand-missal to Mass, do all know how to use it? Does it contain a literal translation, or “poetic” (rhyming) incomprehensible doggerel? The Dies Irae is one of the most powerful prayers we have; indeed, I can’t think of a more powerful one. How difficult would it be for ushers to make sure every participant was offered something like this before a Requiem Mass begins?

    * *  PDF Download • CONGREGATIONAL HANDOUT (“Dies Irae”)

Otherwise, people might listen to a very long chant without any clue what it’s about.

Did many use a missal before Vatican II? I’m convinced they did—but we can always do better. To give one example, hand-missals for the laity were almost non-existent in the Philippines before the council.

Speaking of congregational comprehension, here is a wedding booklet I was recently sent:

    * *  PDF Download • Teti Wedding Booklet

That’s for the Ordinary Form, but some parts are in Latin, as Sacrosanctum Concilium mandated. Do you see how every effort was made to explain the Mass, especially since many in attendance were not Catholic? Do you agree this is an elegant booklet that shows what can be done when the spirit is willing?



NOTES FROM THIS ARTICLE:

1   We should perhaps remember that Pope St. John Paul II also presided at Masses where equally scandalous things took place.

2   As someone who served as an altar boy for many years, I always loved being right up next to the ceremonies. Although there’s also something peaceful and holy about sitting privately in one’s pew.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

Recent Posts

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  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

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