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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Congregational “Dies Irae”

Jeff Ostrowski · October 29, 2017

4104 TE IGITUR mss Y NOW, MOST OF US have seen the video showing Jorge Cardinal Bergoglio (who would later be elected Pope Francis) celebrating Mass with ginormous walking puppets. To be completely honest, I find videos like that troubling. 1 When we see discouraging fruits of Vatican II reforms, it can be difficult to understand why liturgical reform was desired in the first place. In my view, however, there were improvements that could be made to the liturgical situation before Vatican II—and let me give two examples.

First of all, I believe there was often needless space between Altar and congregation. Many centuries ago, this was not the case—and soon we’ll publish an article with a superb explanation by a perspicacious priest. But leaving that aside, over the centuries it became common for the Altar to be extremely far away (JPEG) from those attending Mass. I have assisted at Mass in Europe where the priest was so far away I had no idea what was going on. I believe the Fathers of Vatican II wanted congregations to take a more active role during the Holy Mass, and excessive space between ceremonies and people is not a good thing. 2

Secondly, I believe we can always do a better job of helping our congregations participate. For example, many choirs will visit the René Goupil Website and download the Dies Irae sheet or rehearse using the video posted there. But what about the people? Of those who remembered to bring a hand-missal to Mass, do all know how to use it? Does it contain a literal translation, or “poetic” (rhyming) incomprehensible doggerel? The Dies Irae is one of the most powerful prayers we have; indeed, I can’t think of a more powerful one. How difficult would it be for ushers to make sure every participant was offered something like this before a Requiem Mass begins?

    * *  PDF Download • CONGREGATIONAL HANDOUT (“Dies Irae”)

Otherwise, people might listen to a very long chant without any clue what it’s about.

Did many use a missal before Vatican II? I’m convinced they did—but we can always do better. To give one example, hand-missals for the laity were almost non-existent in the Philippines before the council.

Speaking of congregational comprehension, here is a wedding booklet I was recently sent:

    * *  PDF Download • Teti Wedding Booklet

That’s for the Ordinary Form, but some parts are in Latin, as Sacrosanctum Concilium mandated. Do you see how every effort was made to explain the Mass, especially since many in attendance were not Catholic? Do you agree this is an elegant booklet that shows what can be done when the spirit is willing?



NOTES FROM THIS ARTICLE:

1   We should perhaps remember that Pope St. John Paul II also presided at Masses where equally scandalous things took place.

2   As someone who served as an altar boy for many years, I always loved being right up next to the ceremonies. Although there’s also something peaceful and holy about sitting privately in one’s pew.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.”

— ‘Rev. Adrian Fortescue (THE MASS, page 397)’

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