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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

What to Do with the “Fourth Option”

Fr. David Friel · March 19, 2017

N A WEEK’S TIME, we will celebrate Laetare Sunday. It can be difficult to explain the meaning of that term to your average Mass goer, and it is not because of the Latin. It is, rather, because most Catholics have none of the framework necessary to understand the proper of the Mass to which it refers. Thus, one must begin by explaining that there is such a thing as an introit.

This state of affairs is a reflection of the near-total domination that has been achieved by the so-called “fourth option”—the provision in the General Instruction of the Roman Missal that permits “another suitable song” (alius cantus congruus) to replace the propers at will. The eminent professor, László Dobszay, suggested in a 2010 essay that rescinding this permission may be the best path to reclaiming the musical genius of the Roman Rite.

A brief article I wrote on this subject was published in this month’s issue of Adoremus Bulletin. It is freely available, along with many other excellent articles and resources, on the group’s website. Adoremus remains one of the foremost organizations working for the renewal of the sacred liturgy. If you are not already familiar with their work, do yourself a favor, and explore the riches available on their website.

    * *  A Call to Action: Take Up Thy Cross in Proper Style!

Great strides have been made over the last decade in promoting more propers-based liturgies, but much work remains to be done if we are to regain a widespread appreciation for the structure of the Roman Rite, with its brilliant balance of proper and ordinary elements.

As a bonus, since this is the feast of St. Joseph, I am also including links to a “triduum” of reflections in his honor that I posted five years ago. Ite ad Joseph!

St. Joseph Triduum I • Joseph of the Old Testament

St. Joseph Triduum II • Joseph of Arimathea

St. Joseph Triduum III • Joseph of Nazareth

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Adoremus Bulletin, Graduale Romanum Roman Gradual Propers, Hymns Replacing Propers, Mass Propers Proprium Missae, Propers, Reform of the Reform, Singing the Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

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