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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

God or Nothing

Dr. Lucas Tappan · January 3, 2017

507 God or Nothing HEN THE LAST PIECE of wrapping paper fell from my presents at my in-laws on Christmas morning, I couldn’t wait to crack the spine of one particular gift, Nicolas Diat’s conversation with Cardinal Sarah, entitled God or Nothing. I heartily recommend the book to anyone who hasn’t yet read it. Today I would like to share with you the good cardinal’s assessment of the crisis of Faith in the modern western world and how it relates to the topics of liturgy and music in particular.

Sarah rightly notes that this crisis of Faith, or silent apostasy, is primarily a “Crisis of God,” which has been going on since long before the middle of the 20th century. In 2000, then Cardinal Ratzinger referred to the 1933 words of a European priest that “[t]he crisis reached by European Christianity is no longer primarily or at least exclusively an ecclesial crisis… The crisis is more profound: it is not only rooted in the situation of the Church: the crisis has become a crisis of God.”

It is absolutely essential to keep this reality before us (the “crisis of God”), especially in light of the Church’s focus on evangelization in the last few decades. Both St. John Paul II and Pope Benedict XVI were acutely aware of this problem and confronted it continually. They even began their pontificates with encyclicals focused on the person of God (Redemptor hominis and Deus caritas est, respectively). Sarah, following the thought of Pope Benedict XVI, then makes the point that the Second Vatican Council was primarily aimed at battling this problem. Rather than summarize Sarah, I would like to share with you his very own words:

Indeed, on the subject of Vatican Council II, we will never be able to thank Pope Benedict XVI enough for his hermeneutical work and his authentic interpretation of the will of the Council Fathers. The fact that I refer to his analysis goes to show that the intention of the Council has not been understood full.

Joseph Ratzinger grasped quite accurately the fact that John XXIII wanted first of all to respond to a major challenge for the modern world: receiving God as he manifested himself in Jesus Christ…

From the start of Vatican II, although concerned about aggiornamento, the renewal of the Church, and the reunion of Christians, the pope had strongly emphasized that the Council’s chief task was to reveal God to the world [my emphasis], to defend and promote doctrine.

(I find this last part interesting.)

Sarah notes that Pope Benedict “invited us to focus our attention on the way in which [the constitutions of the council] are ordered,” revealing the intrinsically theological nature (my emphasis) of the council.  First of all comes Sacrosanctum concilium, focused on the Work of God, which should be preferred to all else. Speaking about the liturgy, Sarah says “Before all else, in the Church, there is adoration; and therefore God.”

Following the upon the council’s cornerstone, Sacrosantum concilium, comes Lumen gentium (Christ is the light of the nations), which expounds a theological vision of the Church, since the Church is “not a self-enclosed reality” but must be seen “in terms of Christ. The Church is like the moon. She does not shine with her own light but reflects the light of Christ.” After Lumen gentium comes Dei Verbum and finally Gaudium et spes. The Word of God (Dei Verbum) “is the heart of the message that the Church must reveal and transmit to the world,” while Gaudium et spes gives a vision for what the Church, fully alive and active in the modern world, should look like, namely a light shining in the darkness, bringing all men to the light of Christ and eternal salvation, praising and glorifying God.

To return to my original thought on this crisis of Faith and its relationship to liturgy and music, I think we can slay the current and popular belief that by making the liturgy, and by extension liturgical music, “relevant” to people we will somehow bring them back to God. Neither can we do it by recreating marriage, theology, morality or anything else, even God Himself, in human likeness and form. This is nothing but the Devil distracting us from God Himself. Only when we learn once again to kneel in silent adoration before Christ in the Blessed Sacrament and with the apostle Philip ask Him to “show us the Father,” will the work of salvation be brought to fulfillment in us and in the world. Only then will His love transform us and the world. Stop the gimmicks, the committees, the meetings, the reports and knock on the door of the Father’s Heart. Trust Him. Let this be our goal in the new year!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“I never cared a tinker’s cuss what the Congregation may have decided about the order in which the acolyte should put out the candles after Vespers.”

— Dr. Adrian Fortescue (24 Nov. 1919)

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