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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

God or Nothing

Dr. Lucas Tappan · January 3, 2017

507 God or Nothing HEN THE LAST PIECE of wrapping paper fell from my presents at my in-laws on Christmas morning, I couldn’t wait to crack the spine of one particular gift, Nicolas Diat’s conversation with Cardinal Sarah, entitled God or Nothing. I heartily recommend the book to anyone who hasn’t yet read it. Today I would like to share with you the good cardinal’s assessment of the crisis of Faith in the modern western world and how it relates to the topics of liturgy and music in particular.

Sarah rightly notes that this crisis of Faith, or silent apostasy, is primarily a “Crisis of God,” which has been going on since long before the middle of the 20th century. In 2000, then Cardinal Ratzinger referred to the 1933 words of a European priest that “[t]he crisis reached by European Christianity is no longer primarily or at least exclusively an ecclesial crisis… The crisis is more profound: it is not only rooted in the situation of the Church: the crisis has become a crisis of God.”

It is absolutely essential to keep this reality before us (the “crisis of God”), especially in light of the Church’s focus on evangelization in the last few decades. Both St. John Paul II and Pope Benedict XVI were acutely aware of this problem and confronted it continually. They even began their pontificates with encyclicals focused on the person of God (Redemptor hominis and Deus caritas est, respectively). Sarah, following the thought of Pope Benedict XVI, then makes the point that the Second Vatican Council was primarily aimed at battling this problem. Rather than summarize Sarah, I would like to share with you his very own words:

Indeed, on the subject of Vatican Council II, we will never be able to thank Pope Benedict XVI enough for his hermeneutical work and his authentic interpretation of the will of the Council Fathers. The fact that I refer to his analysis goes to show that the intention of the Council has not been understood full.

Joseph Ratzinger grasped quite accurately the fact that John XXIII wanted first of all to respond to a major challenge for the modern world: receiving God as he manifested himself in Jesus Christ…

From the start of Vatican II, although concerned about aggiornamento, the renewal of the Church, and the reunion of Christians, the pope had strongly emphasized that the Council’s chief task was to reveal God to the world [my emphasis], to defend and promote doctrine.

(I find this last part interesting.)

Sarah notes that Pope Benedict “invited us to focus our attention on the way in which [the constitutions of the council] are ordered,” revealing the intrinsically theological nature (my emphasis) of the council.  First of all comes Sacrosanctum concilium, focused on the Work of God, which should be preferred to all else. Speaking about the liturgy, Sarah says “Before all else, in the Church, there is adoration; and therefore God.”

Following the upon the council’s cornerstone, Sacrosantum concilium, comes Lumen gentium (Christ is the light of the nations), which expounds a theological vision of the Church, since the Church is “not a self-enclosed reality” but must be seen “in terms of Christ. The Church is like the moon. She does not shine with her own light but reflects the light of Christ.” After Lumen gentium comes Dei Verbum and finally Gaudium et spes. The Word of God (Dei Verbum) “is the heart of the message that the Church must reveal and transmit to the world,” while Gaudium et spes gives a vision for what the Church, fully alive and active in the modern world, should look like, namely a light shining in the darkness, bringing all men to the light of Christ and eternal salvation, praising and glorifying God.

To return to my original thought on this crisis of Faith and its relationship to liturgy and music, I think we can slay the current and popular belief that by making the liturgy, and by extension liturgical music, “relevant” to people we will somehow bring them back to God. Neither can we do it by recreating marriage, theology, morality or anything else, even God Himself, in human likeness and form. This is nothing but the Devil distracting us from God Himself. Only when we learn once again to kneel in silent adoration before Christ in the Blessed Sacrament and with the apostle Philip ask Him to “show us the Father,” will the work of salvation be brought to fulfillment in us and in the world. Only then will His love transform us and the world. Stop the gimmicks, the committees, the meetings, the reports and knock on the door of the Father’s Heart. Trust Him. Let this be our goal in the new year!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

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