• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Musical and Liturgical Life at the St. Lawrence Catholic Campus Center

Guest Author · April 6, 2016

596 St. Lawrence Catholic Campus Center EFF OSTROWSKI contacted me recently and asked me to put together a description of our musical & liturgical life here at the St. Lawrence Center (Lawrence, Kansas) which I am happy to do. What follows is based on our liturgies and other special events during the academic year.

Masses at the Saint Lawrence Center

MASS • Saturday 4pm Vigil — A typical parish Vigil Mass with Cantor, Organ and hymns from the St. Michael’s Hymnal. No chant propers, no choir. Attended by 120-150.

MASS • Sunday 8:30am — This is a smaller Mass attended primarily by permanent community members and some students. There is no choir, and the music is led by our Organist and Assistant Choir Director Katie Burchfield: An entrance hymn with organ from St. Michael’s Hymnal 4th edition, a cappella sung psalm and Gospel acclamation, English missal chants and communion antiphon from Simple English Propers. No recessional hymn.

MASS • Sunday 10:30am — This is the principal Mass of the day with attendance between 225 and 325 comprised of a wide cross section of students, permanent community, other people from town. The choir of 16-20 is likewise composed of students, faculty and permanent community members and is led by the Director of Sacred Liturgy and Music. This choir is the “flagship” choir of the St. Lawrence Center, with all members having some significant choral experience and able to read music at least minimally.

Mass begins with an entrance hymn accompanied by Organ with English Mass parts from one of the metered settings in the St. Michael’s hymnal. During Advent and Lent we do the Latin Missa Jubilate Deo for Mass parts. The Responsorial Psalm is introduced by the organ, intoned by a cantor and sung by the congregation as normal with choral verses on most Sundays. The Gospel acclamation—antiphon and verse— is done by a cantor. The Offertory Antiphon and verse is sung by the men of the choir from Simple English Propers, followed by an offertory hymn. The Communion antiphon and verse are sung by the women of the choir from SEP on most Sundays, with an occasional chant from the Gregorian repertoire for major Solemnities like Easter or significant seasonal Sundays (e.g. Second Sunday of Lent – Transfiguration). The communion motet or anthem is from the classic sacred choral repertoire both new and old (e.g. Palestrina Ego Sum Panis, Duruflé Ubi Caritas). With the exception of “super solemnities” such as Christ the King, there is no recessional hymn.

MASS • Sunday 5:00pm — This is also a large Mass, with similar attendance to the 10:30. In contrast to that Mass, however, both the congregation and the choir are comprised primarily of students. The musical format is more like a typical parish Mass with cantor, choir and piano accompaniment. The same hymns are sung as at the 10:30am Mass, but with no chant propers. The choral repertoire is sometimes the same as 10:30, but often supplemented with some Taize and other easier pieces. The choir sings on a three-weeks-on/one-week-off schedule and is open to anyone who is interested, regardless of singing experience and/or the ability to read music. It is therefore more of a training choir than the 10:30am. Even so, we still have a number of very experienced choral singers in the group. Also conducted by the Director of Sacred Liturgy and Music, this choir rehearses one hour before Mass.

MASS • Sunday 9:00pm — This is our Chant Mass and features the most distinctive format of any of the Sunday Masses at St. Lawrence. The lights in the nave are turned off with large candles on stands placed around the perimeter of the chapel and at the corners of the base of the Altar. Led by the Director of Sacred Liturgy and Music is a Schola of 4-6 male singers, all of whom must have a substantial choral and sacred music background. There are no hymns and all the sung propers are taken from SEP. We use the English Missal chants for Mass parts (Missa Jubilate Deo during Advent and Lent). The responsorial Psalm and Gospel acclamation are done a cappella—as is the entire Mass—with choral verses as arranged/composed by the director. Following the communion antiphon, we do a polyphonic piece such as Palestrina’s Jesu Rex Admirabilis or an English piece in two or three parts. After the final blessing, we sing the Salve Regina as a recessional. This Mass is usually attended by about 150 people, with a nice mix of town and gown.

Other Liturgies and Events

Tuesday Adoration — Beginning at 9am and going through about 10pm in the Chapel. Includes praise and worship beginning about 8:30pm and ending with Night Prayer and Benediction.

Easter Triduum — Done with an augmented choir like Lessons and Carols and similar to the format of the 10:30am Mass as described above, but with even more solemnity. The liturgical high point of the year here at the Center!

Annual Lessons and Carols Presentation — Now on its 28th consecutive year! Combined choirs doing classic a cappella and accompanied repertoire, the O Antiphons and an occasional men’s or women’s piece. The 10:30am Mass choir is core of the group, with others invited to join from the other groups and the permanent community. Publicly advertised and well-attended by about 200 people with a reception following.


We hope you enjoyed this guest article by Dr. Brian J. Nelson, Director of Liturgy and Music at the St. Lawrence Catholic Campus Center.

Watershed readers may remember Dr. Nelson from his appearance on EWTN.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass
  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.