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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Woodward Hymnal” (1913) … Outrageously Rare!

Jeff Ostrowski · March 2, 2016

717 Songs of Syon Hymnal ESTERDAY I began a 5-part series hoping to convince readers to give $5.00 per month. You can access PART 1 by scrolling to the bottom; today is PART 2. At Watershed, we love to scan & upload rare hymnals. As usual, the following hymnal has never been available online—until today!

    * *  PDF Download • “WOODWARD HYMNAL” (613 pages)

There is confusion about this hymnal’s name. The official version is: “Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Canticles.” But Theodore Marier also published a hymnal called “Psalms, Hymns, and Spiritual Canticles.” To avoid confusion, some refer to this book simply as the WOODWARD HYMNAL.

GEORGE RATCLIFFE WOODWARD (d. 1934) was an Anglican priest who (I’m told) was a disciple of J. M. Neale. However, the vast majority of hymns in this book are English translations of Roman Catholic texts—from Latin, Greek, and other languages. Some are metrical, others are plainsong. Many are quite interesting. For example, consider how the 2nd verse of the AVE MARIS STELLA is rendered into English, wonderfully conveying the meaning of the original Latin:

715 Woodward


Fr. Matthew Britt (1872-1955)—a Roman Catholic benedictine priest—says this about Woodward:

WOODWARD, REV. GEORGE RATCLIFF, M.A. (b. 1848), was educated at Harrow, and at Gonville and Caius College, Cambridge. He is the editor of the excellent hymnal, Songs of Syon, to which he contributed many translations from the Latin, Greek, and German. His translations from the Latin do not include any of the Breviary hymns. He is also the author of the widely known Cowley Carol Book.

Fr. Britt was quite impressed with an original translation Woodward made for the AVE MARIS STELLA. Incidentally, here’s what Fr. Britt says about the translators contained in his monumental work on hymns:

RELIGIOUS AFFILIATIONS OF TRANSLATORS :

It is interesting to record here the religious affiliations of the translators whose hymns find a place in this volume. It will be observed from the biographies given above that among the Catholic translators fully one-half are converts. Among those classed as Anglicans the writer believes that all are of the High Church party.

CATHOLICS : Aylward, Bagshawe, Bute, Campbell, Caswall, Donahoe, Dryden, Faber, Garesche, Hall, Henry, Hunter-Blair, Husenbeth, Leeson, McDougall, MacCarthy, Newman, Oakeley, O’Hagan, Oxenham, Paul, Potter, Wallace, Walworth, and Wingfield. The translations in the Primers are all by Catholics.

ANGLICANS: Ball, Blacker, Blew, Chadwick, Chambers, Copeland, Courthope, Dearmer, Ellerton, Hort, Housman, Irons, Julian, Lacey, Littledale, Neale, Palmer, Riley, and Woodward. [The religious affiliation of Doran is not definitely known to the writer; he was probably an Anglican. Scott was nominally a Presbyterian with a leaning toward the Episcopal Church.]

This article is part of a series:

PART 1 • Simple SATB Kyrie by Guerrero

PART 2 • 1913 Woodward Hymnal … Outrageously Rare!

PART 3 • Rehearsal videos for Lenten Hymn

PART 4 • New Westminster Hymnal … For the first time ever!

PART 5 • Rehearsal Videos for Forty-Three (43) Pieces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

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