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Views from the Choir Loft

PDF Download • “Woodward Hymnal” (1913) … Outrageously Rare!

Jeff Ostrowski · March 2, 2016

717 Songs of Syon Hymnal ESTERDAY I began a 5-part series hoping to convince readers to give $5.00 per month. You can access PART 1 by scrolling to the bottom; today is PART 2. At Watershed, we love to scan & upload rare hymnals. As usual, the following hymnal has never been available online—until today!

* *  PDF Download • “WOODWARD HYMNAL” (613 pages)

There is confusion about this hymnal’s name. The official version is: “Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Canticles.” But Theodore Marier also published a hymnal called “Psalms, Hymns, and Spiritual Canticles.” To avoid confusion, some refer to this book simply as the WOODWARD HYMNAL.

GEORGE RATCLIFFE WOODWARD (d. 1934) was an Anglican priest who (I’m told) was a disciple of J. M. Neale. However, the vast majority of hymns in this book are English translations of Roman Catholic texts—from Latin, Greek, and other languages. Some are metrical, others are plainsong. Many are quite interesting. For example, consider how the 2nd verse of the AVE MARIS STELLA is rendered into English, wonderfully conveying the meaning of the original Latin:

715 Woodward

Fr. Matthew Britt (1872-1955)—a Roman Catholic benedictine priest—says this about Woodward:

WOODWARD, REV. GEORGE RATCLIFF, M.A. (b. 1848), was educated at Harrow, and at Gonville and Caius College, Cambridge. He is the editor of the excellent hymnal, Songs of Syon, to which he contributed many translations from the Latin, Greek, and German. His translations from the Latin do not include any of the Breviary hymns. He is also the author of the widely known Cowley Carol Book.

Fr. Britt was quite impressed with an original translation Woodward made for the AVE MARIS STELLA. Incidentally, here’s what Fr. Britt says about the translators contained in his monumental work on hymns:

RELIGIOUS AFFILIATIONS OF TRANSLATORS :

It is interesting to record here the religious affiliations of the translators whose hymns find a place in this volume. It will be observed from the biographies given above that among the Catholic translators fully one-half are converts. Among those classed as Anglicans the writer believes that all are of the High Church party.

CATHOLICS : Aylward, Bagshawe, Bute, Campbell, Caswall, Donahoe, Dryden, Faber, Garesche, Hall, Henry, Hunter-Blair, Husenbeth, Leeson, McDougall, MacCarthy, Newman, Oakeley, O’Hagan, Oxenham, Paul, Potter, Wallace, Walworth, and Wingfield. The translations in the Primers are all by Catholics.

ANGLICANS: Ball, Blacker, Blew, Chadwick, Chambers, Copeland, Courthope, Dearmer, Ellerton, Hort, Housman, Irons, Julian, Lacey, Littledale, Neale, Palmer, Riley, and Woodward. [The religious affiliation of Doran is not definitely known to the writer; he was probably an Anglican. Scott was nominally a Presbyterian with a leaning toward the Episcopal Church.]

This article is part of a series:

PART 1 • Simple SATB Kyrie by Guerrero

PART 2 • 1913 Woodward Hymnal … Outrageously Rare!

PART 3 • Rehearsal videos for Lenten Hymn

PART 4 • New Westminster Hymnal … For the first time ever!

PART 5 • Rehearsal Videos for Forty-Three (43) Pieces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: June 18, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

Recent Posts

  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)
  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages

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