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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Woodward Hymnal” (1913) … Outrageously Rare!

Jeff Ostrowski · March 2, 2016

717 Songs of Syon Hymnal ESTERDAY I began a 5-part series hoping to convince readers to give $5.00 per month. You can access PART 1 by scrolling to the bottom; today is PART 2. At Watershed, we love to scan & upload rare hymnals. As usual, the following hymnal has never been available online—until today!

    * *  PDF Download • “WOODWARD HYMNAL” (613 pages)

There is confusion about this hymnal’s name. The official version is: “Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Canticles.” But Theodore Marier also published a hymnal called “Psalms, Hymns, and Spiritual Canticles.” To avoid confusion, some refer to this book simply as the WOODWARD HYMNAL.

GEORGE RATCLIFFE WOODWARD (d. 1934) was an Anglican priest who (I’m told) was a disciple of J. M. Neale. However, the vast majority of hymns in this book are English translations of Roman Catholic texts—from Latin, Greek, and other languages. Some are metrical, others are plainsong. Many are quite interesting. For example, consider how the 2nd verse of the AVE MARIS STELLA is rendered into English, wonderfully conveying the meaning of the original Latin:

715 Woodward


Fr. Matthew Britt (1872-1955)—a Roman Catholic benedictine priest—says this about Woodward:

WOODWARD, REV. GEORGE RATCLIFF, M.A. (b. 1848), was educated at Harrow, and at Gonville and Caius College, Cambridge. He is the editor of the excellent hymnal, Songs of Syon, to which he contributed many translations from the Latin, Greek, and German. His translations from the Latin do not include any of the Breviary hymns. He is also the author of the widely known Cowley Carol Book.

Fr. Britt was quite impressed with an original translation Woodward made for the AVE MARIS STELLA. Incidentally, here’s what Fr. Britt says about the translators contained in his monumental work on hymns:

RELIGIOUS AFFILIATIONS OF TRANSLATORS :

It is interesting to record here the religious affiliations of the translators whose hymns find a place in this volume. It will be observed from the biographies given above that among the Catholic translators fully one-half are converts. Among those classed as Anglicans the writer believes that all are of the High Church party.

CATHOLICS : Aylward, Bagshawe, Bute, Campbell, Caswall, Donahoe, Dryden, Faber, Garesche, Hall, Henry, Hunter-Blair, Husenbeth, Leeson, McDougall, MacCarthy, Newman, Oakeley, O’Hagan, Oxenham, Paul, Potter, Wallace, Walworth, and Wingfield. The translations in the Primers are all by Catholics.

ANGLICANS: Ball, Blacker, Blew, Chadwick, Chambers, Copeland, Courthope, Dearmer, Ellerton, Hort, Housman, Irons, Julian, Lacey, Littledale, Neale, Palmer, Riley, and Woodward. [The religious affiliation of Doran is not definitely known to the writer; he was probably an Anglican. Scott was nominally a Presbyterian with a leaning toward the Episcopal Church.]

This article is part of a series:

PART 1 • Simple SATB Kyrie by Guerrero

PART 2 • 1913 Woodward Hymnal … Outrageously Rare!

PART 3 • Rehearsal videos for Lenten Hymn

PART 4 • New Westminster Hymnal … For the first time ever!

PART 5 • Rehearsal Videos for Forty-Three (43) Pieces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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