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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • New Composition By Kevin Allen

Jeff Ostrowski · January 1, 2016

ATERSHED COMMISSIONED the following setting from composer Kevin Allen to help 2016 begin on the right foot. We hope you enjoy what he’s done with this famous hymn text. I particularly enjoyed the Alto line, and took the liberty of creating some unauthorized rehearsal videos to help amateur choirs. (You’ll find them at the bottom of the page.)

    * *  PDF Download • “JESU DULCIS MEMORIA”


To learn more about this composer, please visit Emporium Kevin Allen.

1. Jesu dulcis memória,
Dans vera cordis gáudia:
Sed super mel et ómnia,
Ejus dulcis praeséntia.

1. Sweet is the remembrance of Jesus, bringing man his heart’s true joy; but sweet beyond honey and all created bliss is His presence.

2. Nil cánitur suávius,
Nil audítur jucúndius,
Nil cogitátur dúlcius,
Quam Jesus Dei Fílius.

2. No theme is more agreeable in the singing, none more welcome in the hearing, none more comforting in thought than Jesus, the Son of God.

3. Jesu spes paeniténtibus,
Quam pius es peténtibus!
Quam bonus te quaeréntibus!
Sed quid inveniéntibus?

3. Jesus, hope of penitent souls, how gracious You are to those that ask, how good to those that seek; but who shall say what You are to those that find?

4. Nec lingua valet dícere,
Nec líttera exprímere:
Expértus potest crédere,
Quid sit Jesum dilígere.

4. No tongue can tell this, nor pen express it; but the one who has experience of it can know in his heart what it means to love Jesus.

5. Sis Jesu nostrum gáudium,
Qui es futúrus praémium:
Sit nostra in te glória,
Per cuncta semper saécula.

5. Jesus, one day to be our reward, be our joy in this life. May our glory be in You through all eternity.

Literal translation by Fr. Joseph Connelly.


REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “5th Sunday of Easter” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 5th Sunday of Easter Sunday—a.k.a. “Dominica V Paschae”—which is 3 May 2026. Please feel free to download it as a PDF file if such a thing interests you. The COMMUNION (“Tanto Témpore Vobíscum Sum”) is rather somber, with awesome fauxbourdon psalm verses. The ENTRANCE CHANT is bright and happy.
    —Jeff Ostrowski
    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

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  • Season’s End Repertoire

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