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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How to do Marian Hymns

Veronica Brandt · October 24, 2015

N AUSTRALIA, anyone interested in sacred music is likely to cross paths with Ronan Reilly. He is something of a local legend. He’s the one on the left conducting. He appears seemingly at random around the country bringing amazing music to the most unlikely places.

Next to him is John Brazier, organist at Maternal Heart and co-conspirator in facilitating excellent music. He comes from a family of homeschooled over-achievers and manages to study Law in his spare time.

The other two are awesome too, but I haven’t met them.

And that is just the male quartet. Replace John with Rioghnach Wȩgrecka and you have the Prima Luce Quartet. Add a dozen more fantastic singers and there’s the large ensemble. Together they have just released their third album, this time a collection of Marian Hymns.

Listen to Arcadelt’s Ave Maria sung in the crypt of St Mary’s Cathedral in Sydney:



Go, check out their official website: www.primalucemusic.com

The collection includes quite a few new arrangements and compositions. Here is a brief track listing. The CD liner notes give more detail – you can see how young some of the composers are. Track 17 is Virgo Dei Genetrix, starting with the chant as you’ll find in the Liber usualis, followed by a beautiful polyphonic setting composed by 19 year old Thomas McKendry.

Track 14 kinda stands out as it is a Little Hymn to St Joseph – hey! I thought this was a CD for Mary! but look – the composer is John Brazier and the lyrics written by his sister, a Carmelite at Elysberg, PA. How beautiful is that?

But it was Tracks 11 and 12 which won over our family’s biggest critic with the lively arrangements of Stella Splendens and Help of Christians. I was playing the CD in the car and he complained he asked for the volume to be turned up so he could hear it – we have separate speakers in the back.

Stephen Smith’s Hail Queen of Heaven makes a stunning change from the usual tune. Stephen Smith gave a workshop on Gregorian Chant way back before I had started attending a Latin Mass – I remember he patiently taught a bunch of us Attende Domine at a Carmelite Convent, then gathered in the chapel there to sing it for Jesus in the Blessed Sacrament.

And that might just be what sets this group apart. They sing for the love of God. They are squarely aimed at giving glory to God. They are there on all the crazy pilgrimages (right now they’re between Ballarat and Bendigo). If you hear of a bunch of people singing in Latin in a McDonalds or a train station in Sydney, then you can bet it’s them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— Father Clemens Blume, S.J.

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  • PDF Download • “Pange Lingua” in Simple (Contemporary) Polyphony for Three Voices

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