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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How to do Marian Hymns

Veronica Brandt · October 24, 2015

N AUSTRALIA, anyone interested in sacred music is likely to cross paths with Ronan Reilly. He is something of a local legend. He’s the one on the left conducting. He appears seemingly at random around the country bringing amazing music to the most unlikely places.

Next to him is John Brazier, organist at Maternal Heart and co-conspirator in facilitating excellent music. He comes from a family of homeschooled over-achievers and manages to study Law in his spare time.

The other two are awesome too, but I haven’t met them.

And that is just the male quartet. Replace John with Rioghnach Wȩgrecka and you have the Prima Luce Quartet. Add a dozen more fantastic singers and there’s the large ensemble. Together they have just released their third album, this time a collection of Marian Hymns.

Listen to Arcadelt’s Ave Maria sung in the crypt of St Mary’s Cathedral in Sydney:



Go, check out their official website: www.primalucemusic.com

The collection includes quite a few new arrangements and compositions. Here is a brief track listing. The CD liner notes give more detail – you can see how young some of the composers are. Track 17 is Virgo Dei Genetrix, starting with the chant as you’ll find in the Liber usualis, followed by a beautiful polyphonic setting composed by 19 year old Thomas McKendry.

Track 14 kinda stands out as it is a Little Hymn to St Joseph – hey! I thought this was a CD for Mary! but look – the composer is John Brazier and the lyrics written by his sister, a Carmelite at Elysberg, PA. How beautiful is that?

But it was Tracks 11 and 12 which won over our family’s biggest critic with the lively arrangements of Stella Splendens and Help of Christians. I was playing the CD in the car and he complained he asked for the volume to be turned up so he could hear it – we have separate speakers in the back.

Stephen Smith’s Hail Queen of Heaven makes a stunning change from the usual tune. Stephen Smith gave a workshop on Gregorian Chant way back before I had started attending a Latin Mass – I remember he patiently taught a bunch of us Attende Domine at a Carmelite Convent, then gathered in the chapel there to sing it for Jesus in the Blessed Sacrament.

And that might just be what sets this group apart. They sing for the love of God. They are squarely aimed at giving glory to God. They are there on all the crazy pilgrimages (right now they’re between Ballarat and Bendigo). If you hear of a bunch of people singing in Latin in a McDonalds or a train station in Sydney, then you can bet it’s them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

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