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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How to do Marian Hymns

Veronica Brandt · October 24, 2015

N AUSTRALIA, anyone interested in sacred music is likely to cross paths with Ronan Reilly. He is something of a local legend. He’s the one on the left conducting. He appears seemingly at random around the country bringing amazing music to the most unlikely places.

Next to him is John Brazier, organist at Maternal Heart and co-conspirator in facilitating excellent music. He comes from a family of homeschooled over-achievers and manages to study Law in his spare time.

The other two are awesome too, but I haven’t met them.

And that is just the male quartet. Replace John with Rioghnach Wȩgrecka and you have the Prima Luce Quartet. Add a dozen more fantastic singers and there’s the large ensemble. Together they have just released their third album, this time a collection of Marian Hymns.

Listen to Arcadelt’s Ave Maria sung in the crypt of St Mary’s Cathedral in Sydney:



Go, check out their official website: www.primalucemusic.com

The collection includes quite a few new arrangements and compositions. Here is a brief track listing. The CD liner notes give more detail – you can see how young some of the composers are. Track 17 is Virgo Dei Genetrix, starting with the chant as you’ll find in the Liber usualis, followed by a beautiful polyphonic setting composed by 19 year old Thomas McKendry.

Track 14 kinda stands out as it is a Little Hymn to St Joseph – hey! I thought this was a CD for Mary! but look – the composer is John Brazier and the lyrics written by his sister, a Carmelite at Elysberg, PA. How beautiful is that?

But it was Tracks 11 and 12 which won over our family’s biggest critic with the lively arrangements of Stella Splendens and Help of Christians. I was playing the CD in the car and he complained he asked for the volume to be turned up so he could hear it – we have separate speakers in the back.

Stephen Smith’s Hail Queen of Heaven makes a stunning change from the usual tune. Stephen Smith gave a workshop on Gregorian Chant way back before I had started attending a Latin Mass – I remember he patiently taught a bunch of us Attende Domine at a Carmelite Convent, then gathered in the chapel there to sing it for Jesus in the Blessed Sacrament.

And that might just be what sets this group apart. They sing for the love of God. They are squarely aimed at giving glory to God. They are there on all the crazy pilgrimages (right now they’re between Ballarat and Bendigo). If you hear of a bunch of people singing in Latin in a McDonalds or a train station in Sydney, then you can bet it’s them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

It is clear the Church is facing a grave crisis. Under the name of “the new Church” and “the post-conciliar Church,” a different Church from that of Jesus Christ is now trying to establish itself: an anthropocentric society threatened with imminent apostasy which is allowing itself to be swept along in a movement of general abdication under the pretext of renewal, ecumenicism, or adaptation.

— Cardinal Henri de Lubac (29 August 1967)

Recent Posts

  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies
  • “Music List” • 14 September (Holy Cross)
  • Do You Recognize This Hymn? Do You Like It?
  • Charlie Kirk’s Fascination with Traditional Catholic Liturgy

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