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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Christ The King Hymnal” (1955)

Jeff Ostrowski · October 21, 2015

OME OF YOU KNOW I’m currently involved in serving on a committee to produce the Brébeuf hymnal. As part of our research, we peruse old hymn books searching for melodies and texts of a high quality. Whenever I find a particularly intriguing Catholic hymnal, I try to share it with our readers. This one is 232 pages:

*  PDF Download • “Christ the King Hymnal” (1954)
—232 pages • Scanned & uploaded by Corpus Christi Watershed in 2015.

The vast majority of these hymns will be unfamiliar to most USA Catholics since they come from the German tradition. The collection was produced by Rev. Aloysius Knauff in Saskatchewan (CANADA). However, the lion’s share of work was done by Sister Pauline of St. Clare Convent (CINCINNATI, OHIO), who translated tons of hymns from German into English. I’m afraid to admit that some of her renderings strike me as a bit forced. The back of the book has quite a nice section of indices.

The cover looks like this:

From the book’s PREFACE:

ROM THE RICH TREASURES of Catholic hymnody of several centuries I have endeavored to choose the best. To this precious legacy from our forefathers I have added many hymns from more recent composers. I have resisted the temptation of including certain hymns which, although very popular, have melodies or texts of inferior character, such as the hymns O du mein Heiland hoch und hehr, Es bluht der Blumen eine, Geleite durch die Wellen, etc. Wherever possible, I have added the Latin text to the English with the hope of extending the repertoire of hymns and motets which could be used at High Mass. Latin hymns for Benediction of the Blessed Sacrament commence with hymn No. 160 on page 172 and will no doubt be appreciated—particularly in convents, seminaries, and boarding schools, where Benediction is very frequent.

A word of sincere thanks is due here, first to my collaborator, Mr. Hubert Wachendorf of Aachen, Germany, who has succeeded in producing a fine accompaniment to most of these hymns; to Sister Pauline, S.P.S.F., of St. Clare Convent, Hartwell (Cincinnati, Ohio) who has made excellent translations for most of the German hymns; and to Dr. Eugene Lapierre of Montreal, Canada, for the accompaniments to the Gregorian chants…

To get an idea how these hymns actually sound, click on the video in this article and go to the last verse, which is sung in SATB harmony.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Christ the King Last Updated: November 4, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

The very first question to be considered, of course, was: “Just why does the Sacred Liturgy need renewal at all?” It cannot be denied that there were many present, in the beginning, who felt that the Liturgy was generally very good the way it was; further, if there were to be any improvements, they felt the Sacred Congregation of Rites was the agency properly suited to make those improvements.

— Most Rev’d Robert Emmet Tracy (d. 1980)

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