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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • SAB Setting of “Jesu Rex Admirabilis”

Guest Author · September 9, 2015

316 Rick Wheeler Church O MANY OPINIONS, so many choices; how does one format a Liturgy with so much music available? Well, in Littleton, Colorado, we have a pre-set format when it comes to chant—the Liber Usualis—and the rest is determined by a simple formula. That being said, Our Lady of Mount Carmel’s website/choir page is not a blog, but a place where soon all copyright-free music scores that the church offers (and we can edit for electronic transfer) will be available for musicians to download and use. I wanted to make sure word got out, and thanks to CCW that’s going to happen.

Before I go any further, here’s a brief sample of what Sacred music is like at our Colorado parish. As a bonus, you get a wonderful Palestrina score for SOPRANO-ALTO-BARITONE that might come in handy!

    * *  Mp3 Audio • “Jesu Rex Admirabilis”

    * *  PDF Download • “Jesu Rex Admirabilis”

I’m so very appreciative of the plethora of great traditional blogs that are online now. Some are quite radical, but many are helpful and show a great spirit of unification (real charity) in the church regarding not only in the EF but also in the post-conciliar Masses. I’d like also to offer my thanks to CCW for the great articles and blogs offered there. Many churches now resound with music due to the dedication of bloggers and musicians, all helping the faithful to raise their souls to God and Our Lord in the Blessed Sacrament. Now, what that means is being faithful to rules regarding music for the Liturgy and there is where disagreement seems to begin.

There are lots of ideas online regarding what it takes to restore sacred music and I’ve found a great deal of those opinions helpful in planning any given Sunday. Our Lady of Mount Carmel decided to go with a very simple focus. Under the patient and holy direction of Fr. James Jackson we decided that a percentage focus on Chant/Polyphony/Hymns was necessary. Since the processional and recessional was sufficient to cover the hymns portion of the liturgy, we usually leave the hymnody to that place. Our Schola Cantorum sings the Gregorian Propers every Sunday unless there are polyphonic Propers that are part of the Mass of the day. Our Parish is supported by the wonderful priests of the Fraternity of St. Peter which means we get to have the EF Mass all the time and use the Liber Usualis for our calendar. During Holy Week we have full Gregorian Tenebrae in addition to the liturgies of Maundy Thursday, Good Friday, and Holy Saturday Vigil. Soon, we’ll be adding the Matins of Christmas. Recently we’ve acquired the rare and beautiful chants for that ceremony, and will soon post those for anyone to use. The treasures of the church are to be shared—we at OLMC firmly believe that—and so all our music editings are completely copyright-free, with only a Creative Commons request at the bottom. We have even had polyphony written for us in the late Renaissance style, and a CD of the live recording will be ready soon.

Here’s the choir of Our Lady of Mount Carmel singing an Ave Maria setting by Parsons:


So, chant 70% of the time, polyphony 20-25% of the time, and hymns at the ends and possibly 5% of the time during Mass. As the Second Vatican Council has asked…. chant (primacy of place) then/polyphony/hymns as commanded by Pope Pius XII and many other popes.

Our Lady of Mount Carmel is located at:

5612 S. Hickory Street
Littleton, CO 80120


We hope you enjoyed this guest article by Rick Wheeler.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

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  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”
  • “Can Choral Music Survive?” • 3 Reasons It Will

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