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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for August 2015

Guest Author · August 31, 2015

Adapting Chant To The Vernacular

“The more closely a composition approaches the Gregorian melodic form, the more sacred it becomes.”

Fr. David Friel · August 30, 2015

Society for Catholic Liturgy Conference 2015

Featuring Archbishop Salvatore Cordileone, Dr. William Mahrt, and Fr. Uwe Michael Lang

Jeff Ostrowski · August 29, 2015

The Ordinary Form’s Incredible Freedom

Here’s a chart with rubrics from the 1974 “Graduale” translated into English.

Veronica Brandt · August 28, 2015

Practising from back to front

Something of a duet of the Communion Antiphon for the 16th Sunday after Pentecost—part of preparing for Mass

Richard J. Clark · August 28, 2015

Frank La Rocca • Contemporary Music for the Sacred Treasury

If you are not familiar with the works of composer Frank La Rocca, you should be. His works move contemporary sacred music towards the realization of Vatican II.

Andrew Leung · August 27, 2015

Cake or Frosting?

The Liturgy is the cake and Sacred Music is the frosting…

Jeff Ostrowski · August 27, 2015

Be Amazed By This Two-Minute Clip About Cathedrals!

Astounding video about how the Amiens Cathedral was saved by a medieval “iron band-aid.”

Jeff Ostrowski · August 26, 2015

PDF Download • Rossini’s “Canticum Novum” (1935)

A Collection of 115 Motets and Hymns, with an Easy Mass for Two Equal Voices.

Jeff Ostrowski · August 26, 2015

Musical Resources • 14th Sunday after Pentecost (Extraordinary Form)

“Reconciled for evermore to thy Church, do thou watch over her, O Lord…”

Andrew Leung · August 26, 2015

A Paragraph that Caught Attention

“Re-discovery of the Church’s Sacred Tradition: II Kings 22” by Fr. David Carter, JCL.

Jeff Ostrowski · August 25, 2015

SATB “Alleluia” By Palestrina • Brief, Easy, & Sumptuous

I dare you NOT to immediately assign this piece to your choir!

Dr. Lucas Tappan · August 25, 2015

Another Job For Your Children

Simply dive in and do it. Remember how quickly your children grew up and left home? That is all the longer it takes.

Jeff Ostrowski · August 25, 2015

A Most Astounding “Graduale” From 1909 … On Modern Staves!

University professors don’t sit around wondering whether they should teach the music of Tomás Luis de Victoria or Marty Haugen.

Cynthia Ostrowski · August 24, 2015

Christmas Gift Idea • Unbelievable Made-By-Hand Wood Carvings!

“Creating these etchings reminds me of my mother’s deep spirituality.” —John McCarthy

Fr. David Friel · August 23, 2015

Vesting Prayers • Part 8 of 9

The Chasuble

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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