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Views from the Choir Loft

Archives for August 2015

Guest Author · August 31, 2015

Adapting Chant To The Vernacular

“The more closely a composition approaches the Gregorian melodic form, the more sacred it becomes.”

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Fr. David Friel · August 30, 2015

Society for Catholic Liturgy Conference 2015

Featuring Archbishop Salvatore Cordileone, Dr. William Mahrt, and Fr. Uwe Michael Lang

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Jeff Ostrowski · August 29, 2015

The Ordinary Form’s Incredible Freedom

Here’s a chart with rubrics from the 1974 “Graduale” translated into English.

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Veronica Brandt · August 28, 2015

Practising from back to front

Something of a duet of the Communion Antiphon for the 16th Sunday after Pentecost—part of preparing for Mass

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Richard J. Clark · August 28, 2015

Frank La Rocca • Contemporary Music for the Sacred Treasury

If you are not familiar with the works of composer Frank La Rocca, you should be. His works move contemporary sacred music towards the realization of Vatican II.

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Andrew Leung · August 27, 2015

Cake or Frosting?

The Liturgy is the cake and Sacred Music is the frosting…

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Jeff Ostrowski · August 27, 2015

Be Amazed By This Two-Minute Clip About Cathedrals!

Astounding video about how the Amiens Cathedral was saved by a medieval “iron band-aid.”

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Jeff Ostrowski · August 26, 2015

PDF Download • Rossini’s “Canticum Novum” (1935)

A Collection of 115 Motets and Hymns, with an Easy Mass for Two Equal Voices.

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Jeff Ostrowski · August 26, 2015

Musical Resources • 14th Sunday after Pentecost (Extraordinary Form)

“Reconciled for evermore to thy Church, do thou watch over her, O Lord…”

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Andrew Leung · August 26, 2015

A Paragraph that Caught Attention

“Re-discovery of the Church’s Sacred Tradition: II Kings 22” by Fr. David Carter, JCL.

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Jeff Ostrowski · August 25, 2015

SATB “Alleluia” By Palestrina • Brief, Easy, & Sumptuous

I dare you NOT to immediately assign this piece to your choir!

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Dr. Lucas Tappan · August 25, 2015

Another Job For Your Children

Simply dive in and do it. Remember how quickly your children grew up and left home? That is all the longer it takes.

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Jeff Ostrowski · August 25, 2015

A Most Astounding “Graduale” From 1909 … On Modern Staves!

University professors don’t sit around wondering whether they should teach the music of Tomás Luis de Victoria or Marty Haugen.

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Cynthia Ostrowski · August 24, 2015

Christmas Gift Idea • Unbelievable Made-By-Hand Wood Carvings!

“Creating these etchings reminds me of my mother’s deep spirituality.” —John McCarthy

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Fr. David Friel · August 23, 2015

Vesting Prayers • Part 8 of 9

The Chasuble

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Corpus Christi Watershed

President’s Corner

    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski
    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“The idea that the Roman basilica is the ideal design for a Christian church building because it made it possible for the priest and the people to face one another is complete nonsense. That would have been the last thing that the early Christians had in mind.”

— Father Louis Bouyer

Recent Posts

  • “Predictable Rhymes?” • A Follow Up
  • Absolutely ‘Perfect’ Voice-Leading?
  • “The Choirmaster Survey” • Update on 29 July 2026
  • “Progress Report” (With Samples) • Forthcoming Roman Catholic Hymnal In Spanish
  • PDF Download • “Roman Catholic Music in England from 1850–1962” — Lengthy Dissertation (402 pages)

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