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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Top Six Liturgical Quotes By Robert Cardinal Sarah

Jeff Ostrowski · June 16, 2015

POPE FRANCIS appointed Robert Cardinal Sarah as PREFECT of the Vatican’s Congregation for Divine Worship on 23 November 2014. Statements he’s made so far :

625 Cardinal Sarah Quote Number 1 liturgical


ENGLISH (1 June 2015) letter to a liturgical conference in New York :

628 Cardinal Sarah Quote Number 2


FRENCH (3 March 2015) intervew with Aleteia :

628 Cardinal Sarah Quote Number 3


ITALIAN (12 June 2015) letter printed in L’Osservatore Romano :

628 Cardinal Sarah Quote Number 4


ENGLISH (1 June 2015) letter to a liturgical conference in New York :

628 Cardinal Sarah Quote Number 5


ITALIAN (12 June 2015) letter printed in L’Osservatore Romano :

624 Replace Number 6


Cardinal Sarah is not alone in his efforts for authentic liturgical renewal. A surprising number of prominent American bishops have publicly offered the Extraordinary Form. Moreover, consider the leading American bishops who favor the Reform of the Reform:

His Excellency, ARTHUR J. SERRATELLI • Chairman of the Committee on Divine Worship|
His Excellency, ALEXANDER K. SAMPLE • Head of Oregon Catholic Press|
His Excellency, JOSEPH E. KURTZ • President of the USA Catholic Bishops

OT LONG AFTER Pope Francis was elected, numerous articles began to appear asking the question “Is the Reform of the Reform dead?” Several of these were thoughtful and serious, resulting from prayer and sober reflection. Sadly, we also witnessed knee-jerk, sensationalist, and irresponsible articles written by those who wrongly believed the RotR was a byproduct of the personality of Benedict XVI. On the contrary—as I tried to point out—the “RENEWAL OF THE RENEWAL” (as Bishop René H. Gracida calls it) is an act of love.

Regarding my comments of 23 February:

“It is highly unlikely that Pope Francis would condemn the RotR, which Pope Benedict XVI favored.”

…Cardinal Sarah’s appointment by Pope Francis would seem to support this. On the other hand, I doubt anyone cares about my speculations. It’s all in the hands of God!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Reform of the Reform, Robert Cardinal Sarah Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

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  • Extreme Unction
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  • Which Mass?

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