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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2015

Jeff Ostrowski · May 22, 2015

“Veni Creator Spiritus” • With An English Translation By Fr. Adrian Fortescue

A plenary indulgence can be gained by singing the “Veni Creator Spiritus” publicly on Pentecost.

Andrew Leung · May 21, 2015

Is There a Best Way to Receive Communion?

Receiving in the hand or on the tongue? Standing or kneeling?

Jeff Ostrowski · May 20, 2015

Review • “American Catholic Hymnbook” (1992)

“Hymns that are directed to the Trinity should not be used, no matter how familiar they may be.”

Dr. Lucas Tappan · May 19, 2015

One Sure Way To Destroy Your Child’s Musical Potential

If you couldn’t sing, you wouldn’t be able to talk.

Jeff Ostrowski · May 18, 2015

Josef Cardinal Frings & Pope Benedict XVI

Joseph Ratzinger, an expert at the Council, was also the private secretary of Cardinal Frings, Archbishop of Cologne.

Jeff Ostrowski · May 18, 2015

PDF Downloads • Vernacular Mass Settings Published During The 1960s

If they were set upon avoiding the word “men,” I wish ICEL would have done something like “peace on earth to *those* of good will.”

Jeff Ostrowski · May 18, 2015

Loading Choir Binders • Take II

I’m afraid this article has no point.

Jeff Ostrowski · May 16, 2015

Ascension • A Gorgeous Illumination

“We pay more attention to singing when we are nervous.”

Jeff Ostrowski · May 16, 2015

Resources • Sunday after the Ascension (1962 Missal)

We are getting close to Pentecost, when the FSSP Superior General will visit our parish.

Jeff Ostrowski · May 16, 2015

“Veni Sancte Spiritus” • Sing Directly From An Ancient Manuscript!

Including an (optional) organ accompaniment you won’t want to miss!

Veronica Brandt · May 16, 2015

Memento Rerum Conditor

The hymn most frequently appearing in the Little Office of the Blessed Virgin Mary has finally made it to youtube!

Richard J. Clark · May 15, 2015

Do not mistake competence for conservatism.

The more knowledgeable a musician is about the Roman Rite, the Vatican II documents, and the GIRM, the more likely that musician is to be labeled “conservative” in their views. This is nonsense.

Andrew Leung · May 14, 2015

Novus Ordo Can Be Done Well!

The Novus Ordo Mass can be done well—St. Josemaria and his successor did it!

Jeff Ostrowski · May 13, 2015

“Omnes Gentes Plaudite” • Sequence For Ascension

“The Staff used by Christ was the Cross…”

Jeff Ostrowski · May 13, 2015

Will You Be A Hero?

We need a few more people willing to give $5.00 per month—please help! Thank you!

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Corpus Christi Watershed

President’s Corner

    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

Recent Posts

  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns

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