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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2015

Fr. David Friel · May 31, 2015

Sacra Liturgia USA 2015 — New York City

Look for updates throughout the coming week.

Jeff Ostrowski · May 30, 2015

Musical Resources • Trinity Sunday (1962 Missal)

The last time we sing “Vidi Aquam” is Pentecost Sunday; now we go back to “Asperges Me.”

Veronica Brandt · May 30, 2015

The Key for Singing an OF Mass for the EF Musician

It’s almost 5 years since the new translation came out, but some EF musicians still haven’t caught up. Here are some pointers for the musician who has been hiding under a musical rock for a decade.

Richard J. Clark · May 29, 2015

Are We Humble Enough To Open The Door And Walk In?

Anyone who knew him expected no less. But it was extraordinary to witness.

Jeff Ostrowski · May 28, 2015

Polyphony (3 voices) by Morales with Hymn (2 voices) for the Holy Trinity

Including rehearsal videos and special 13th-century hymn to the Most Holy Trinity.

Jeff Ostrowski · May 28, 2015

Coolest Liturgical Image Of All Time?

Fantastic photograph taken by our organist during Mass on Sunday…

Andrew Leung · May 28, 2015

Collaboration Between Artists

Catholic artists need to work together more often.

Dr. Lucas Tappan · May 27, 2015

Where Have All The Organists Gone?

What will you do to keep the art of organ playing alive?

Jeff Ostrowski · May 26, 2015

You Will Want To Print This Liturgical Article

“Once familiar features of the preconciliar rite are now as remote to us as some obscure aboriginal ritual.” —Msgr. McManus (1980)

Jeff Ostrowski · May 25, 2015

The Movie “I Confess” Shows A Liturgical Sensibility

Throughout the movie, Hitchcock seems to imitate the liturgy.

Jeff Ostrowski · May 25, 2015

Flashback • Pope Benedict XVI (Pentecost 2008)

For reasons I don’t fully understand, this chasuble was only worn once.

Fr. David Friel · May 24, 2015

A Mini History of the Sequences

At the height of their usage, there were proper sequences for nearly every Sunday and feast day.

Veronica Brandt · May 23, 2015

A little bit of fun

Heads and shoulders, knees and toes, in Latin with square note notation, to the tune well known in Australia.

Jeff Ostrowski · May 22, 2015

Resources • Pentecost Sunday (1962 Missal)

On Pentecost Sunday, the FSSP Superior General will visit our parish.

Richard J. Clark · May 22, 2015

Veni Sancte Spiritus | Two Free Resources

Two free resources for the Pentecost Sequence, “Veni Sancte Spiritus”

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

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