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Views from the Choir Loft

Are We Humble Enough To Open The Door And Walk In?

Richard J. Clark · May 29, 2015

OST OF THE YEAR, I work seven days a week, working at two Church jobs. Lamenting the difficulty of juggling family life with small children and with jobs that keep me busy all weekend and evenings, I realize I must temper my grievance. It is far better to be too busy as a musician than not busy enough.

But the end of Psalm 23 at times has an ironic meaning for me: “I shall live in the house of the LORD all the days of my life.” Through no virtue of my own, it sure seems to be working out that way. Working in the “house of the Lord” everyday is often far from easy. But it is cause for deep gratitude. As Psalm 23 begins, “The Lord is My Shepherd, I shall not want” God provides all that we need “even though I walk through the dark valley…”

As such, I hear difficult news from time to time from fellow colleagues. Immensely talented and devoted to the Church, they find themselves under-employed or suddenly unemployed for reasons that range from economic to ideological. At one time or another, all of us go through some experience similar to this.

Yet our wounds are often another reason to remain grateful—not easy to comprehend while walking through the dark valley. To live in the house of the Lord requires obedience to His wants and desires. This sometimes requires pruning and trial. Eventually, we will derive meaning from such suffering which fuels our service to others.

RIESTS, WHILE NOT IN DANGER of losing a job, at times suffer much in service to the Church. They are human, lest we forget! These days in Boston, a lot of priests are getting moved around as part of the Disciples in Mission pastoral plan of the Archdiocese of Boston. Changes in assignments no longer follow the old expectations. A lot of pastors are no longer pastors, either by choice or not. Others are now assigned to multiple parishes—not unusual in other parts of the country. The Church is changing.

This is very difficult for many priests for a variety of reasons. In light of such changes, one priest who was reassigned from his beloved parish to take charge of multiple parishes elsewhere remarked, that (in contrast) “celibacy is easy. Obedience is difficult.”

Amen. Obedience is difficult for us all, whether we take a vow or not.

O, I RECENTLY ATTENDED a school concert at St. Agatha’s Parish in Milton, Massachusetts where my children attend. The entire concert was planned as a tribute to the longtime pastor. Fr. Peter Casey, who after seventeen years of service was being reassigned. In a time of decreasing enrollment in Catholic schools, St. Agatha School has enjoyed robust enrollment, thanks in large part to Fr. Casey.

After a deeply heartfelt tribute to his longtime service, Fr. Casey spoke a few words. True to form, he was brief and to the point; tranquil, yet commanding in his leadership. I cannot recall all of his exact words, but this much he made clear: On a night all about him, he deflected attention from himself to God. He wanted the focus on Jesus’ relationship with us, on the value of Catholic education, and God’s loving and ever-present role in our lives. All about God—all in a few short minutes.

Anyone who knew him expected no less. But it was extraordinary to witness. Fr. Casey was teaching until the end just as he always had for seventeen years.

It was a lesson in humility, which obedience requires. To live in the house of the Lord all the days of our lives is a privilege and a joy. We will experience it if we are humble enough to open the door and walk in.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Now we are aware of the fact that during recent years some artists, gravely offending against Christian piety, have dared to bring into churches works devoid of any religious inspiration and completely at variance with the right rules of art.”

— Ven. Pope Pius XII (25 December 1955)

Recent Posts

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  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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