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Views from the Choir Loft

Collaboration Between Artists

Andrew Leung · May 28, 2015

CTL Collaboration Between Artists HIS PAST WEEKEND was a busy and musical one for me. I performed at two concerts, one with my choirs at my parish and the second one at St. John the Baptist Cathedral in Charleston, SC, with the Atlanta Schola Cantorum. On the way back from Charleston, I had a chance to stop by the newly-dedicated St. Mary Help of Christians Catholic Church in Aiken, South Carolina. Here is a thought from my trip: Catholic artists (musicians, architects, visual artists, acoustic engineers etc.) need to work together more often.

I really like the new St. Mary Help of Christians Church. The exterior of the church is in the Spanish style and the interior looks like a Roman basilica. The project is not completed yet, they are waiting to put in the stain glass windows and more statues, but the church is definitely functional. It can hold up to one thousand people and the acoustic of the church is great! There was a graduation rehearsal going on during my visit and a teacher was giving some instructions to her students. I was able to hear her instructions from the back of this huge church and she didn’t use a microphone. I also realize there was some empty space in the choir loft and my guess is that they are leaving some room for a pipe organ in the future.

Another wonderful experience I had during the trip was the concert at St. John the Baptist Cathedral. I joint the Atlanta Schola Cantorum recently and we were invited to perform at the Piccolo Spoleto Festival. I really enjoyed singing in the big gothic cathedral! As a musician, I am always “trapped” in the crowed choir loft and I never get to listen to myself or my choir from the pews or the sanctuary. This time, we performed in the sanctuary and I got to hear myself! The sound is totally different from what I used to hear and I felt like I was in heaven!

In order for all these good things to happen, artists must collaborate with each other. Musicians should plan with church architects on things like the acoustic, choir loft and space for the instruments. Other than the architectural area, it’s also important that musicians get involved in the additional sound system and the exterior design of an pipe organ. Through collaborations, we can all live out our vocation in service of beauty.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Quick Thoughts

    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski
    Don’t You Agree About These?
    If you want to make Jeff Ostrowski really happy, send him an email with effusive praise about the individual voice recordings for hymn #296. [Soprano, Alto, Tenor, Bass] They came out dazzlingly sensational, don't you agree?
    —Jeff Ostrowski
    Choral Vowels? Yes? No?
    Here's a live recording of one of the choral “warm-up” exercises my choir enjoys. It was taken during our rehearsal on 27 January 2023. It’s good to make sure each chord is perfectly in tune and balanced before moving to the next one. That only happens when each singer has the correct vowel. If you like, you can freely download that vocal exercise.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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