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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jaw-Dropping Liturgical Manuscripts (7,055 Pages)

Jeff Ostrowski · April 6, 2015

998 Holy Sacred MSS HY DO WE LOVE our liturgical history? Does this love of ours truly make us “partakers of idolatry,” as the founder of the Mundelein Liturgical Institute recently asserted?

I don’t believe so. Our desires are natural and pleasing to God. We wish to pray using the exact same words—on the exact same days—as so many saints did. 1

Many now recognize that the innovations of Bugnini’s Consilium have impoverished the Roman Rite and were not faithful to the decrees of Sacrosanctum Concilium. This is due in large part to the internet, which has made available ancient manuscripts. Catholics can now see with their own eyes the antiquity of our liturgy.

Download 7,055 pages of ancient manuscripts below. They were made available 2 by Heinrich Heine University, and you can obtain high resolution versions by searching. The EF liturgy matches these manuscripts 98% of the time; whereas the OF liturgy sometimes 3 does not match.

Whenever possible, we have an obligation 4 to provide excerpts of ancient manuscripts for our choirs and congregations. Remember, the books below are just the tip of the iceberg!


MS-D-1 • Sacramentary … circa 867AD

506 pages.   Click here for a screenshot showing part of a page. That green circular thing is the famous “Vere Dignum Et Justum Est” monogram.


MS-D-3 • Missale … circa 955AD

621 pages.   Click here for a screenshot. Notice the drawing of Saint Augustine, as well as the famous monogram featured in the Jogues Lectionary.


MS-D-5 • Missale … circa 1507AD

267 pages.   Click here for a screenshot.


MS-D-6 • Cistercian Graduale … circa 1173AD

377 pages.   Click here for a screenshot.


MS-D-10A • Graduale … circa 1285AD

436 pages.   Click here for a screenshot.


MS-D-10B • Book of Hours … circa 1466AD

285 pages.   Click here for a screenshot.


MS-D-11 • Graduale … circa 1372AD

1,397 pages.   Click here for a screenshot.


MS-D-12 • Graduale … circa 1424AD

705 pages.   Click here for a screenshot.


MS-D-14 • Antiphonale/Graduale (Winter Section) … circa 1573AD

439 pages.   Click here for a screenshot.


MS-D-19 • Cistercian Graduale … circa 1491AD

317 pages.   Click here for a screenshot.


MS-D-20 • Graduale … circa 1507AD

241 pages.   Click here for a screenshot.


MS-D-27 • Graduale (Summer Section) … circa 1481AD

189 pages.   Click here for a screenshot.


MS-D-30 • Graduale (Winter Section) … circa 1502AD

427 pages.   Click here for a screenshot.


MS-D-32 • Cistercian Graduale (Winter Section) … circa 1552AD

431 pages.   Click here for a screenshot.


MS-D-35 • Graduale (Winter Section) … circa 1545AD

417 pages.   Click here for a screenshot.


UPDATE •   From a reader:

Bayerische Staatsbibliothek has made much available. Go to bsb-muenchen.de and search for e.g. Graduale, limit the search to “online resources” time to before 1600 (or whatever pleases you), and go wild. They have a wonderful policy in that whoever first asks for a digitalization of a particular manuscript pays for it and afterwards they put it online for free. Sample screenshot.

As I mentioned, this is just the tip of the iceberg. The Saint Gall library also has thousands of online images.



NOTES FROM THIS ARTICLE:

1   Moreover, our hearts and minds are lifted to God by the glorious artwork & melodies of our Catholic heritage.

2   The language and website—based in Düsseldorf—can be intimidating for Americans, so a former student kindly created the Google links you see on this page. Be sure to obey usage regulations posted on the Heinrich Heine website.

3   For instance, the Ordinary Form uses the Gradual antiphons for sung Masses, but uses the Missal antiphons for spoken Masses. The Gradual antiphons are ancient, whereas many of the “spoken” propers were created in 1969.

4   The Jogues Lectionary provides stunning manuscripts for the congregation to enjoy—as does the Campion Hymnal—both in full color. Congregations love seeing these!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Medieval Manuscripts, Sung Vs Spoken Propers Novus Ordo Last Updated: May 6, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

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