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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Flawed Translation Of Ritus Servandus?

Jeff Ostrowski · March 2, 2015

204 ad orientem ECENTLY, I posted an article containing screen shots of the 1572 Missale Romanum. Included were excerpts from an English translation of the Ritus Servandus sent to me by an FSSP priest.

Those who carefully examine the first section will see that the words “ad orientem” are not translated into English. They have vanished! Moreover, many of the commonly available translations—such as this one—omit the words ad orientem (“to the East”) in the English version. If you scroll to the bottom, you’ll notice the Saint John Cantius Website also eliminates those words. Why?

I don’t know why ad orientem was ignored in those English translations. 1

Perhaps Monsignor Schuler’s 1984 article—which we cited in early 2013—should be amended. Schuler wrote:

NOTHER FABLE INTRODUCED by the promoters of a new rite was the error that the new Mass had to be celebrated versus populum at a table altar erected near the congregation. Old altars were removed, even against the wishes of the people; new table altars were set up, some very poorly designed and even unworthy of the Mass celebrated on them. To promote the use of the altar versus populum, the English translation of the new missal of Paul VI even mistranslates the Latin original—or leaves out entirely the rubrics of the Missale Romanum—which in at least five places indicates that the priest should turn toward the people to say “The Lord be with you,” “Pray brethern,” “This is the Lamb of God,” etc. The Latin has sacerdos ad populum conversus dicit, but the English takes no notice of conversus which clearly means “having turned toward the people.” The norm for the new missal of Pope Paul VI is the priest at an altar which is not versus populum. Furthermore, the altar versus populum is not a new idea brought in by the reforms of Paul VI. The Mass could always be celebrated with the priest facing the people, as indeed it was in Rome and in many other places for centuries. True, it was not the usual way, but it did exist.

Perhaps Msgr. Schuler should have said: “The Mass could always be celebrated with the priest facing the people, if the Altar faced East…”

Somewhere, Msgr. Schuler talks about how he was one of the first priests in America to say Mass facing the people because he was serving at a Church whose (pre-conciliar) architecture demanded it. Looking through the various articles we’ve posted on the subject of ad orientem, I was unable to find that reference. He said something to the effect of, “It was supposed to be a cutting edge practice that would make such a difference to the people … but after a few months, the novelty of versus populum wore off.”

A VARIETY OF GUESSES can be found regarding the history of “Mass facing the people.” Some suggest that, on those rare occasions when Mass was celebrated versus populum, the entire congregation faced East during the Canon. That theory may be true, and is held by today’s serious scholars. Mentioning the 1572 rubric doesn’t change this. 2

One thing, however, is clear: the overwhelming evidence we possess has the entire congregation facing the same direction. That is to say, 99% of the evidence we possess shows the priest “with his back to the people.”

When all is said and done, it doesn’t matter which “side” you are on in a setting like this:

200 Raphael “The Mass at Bolsena”


The Mass is the Mass. Let me say it again: The Mass is the Mass.

However, celebration facing the people can distract the priest, who finds himself wanting to “entertain” the congregation. The following image—often cited as an instance of versus populum—shows the priest looking at a “wall.” That’s probably a good way to eliminate any element of entertainment, eh?

201 Versus Populum Mass



NOTES FROM THIS ARTICLE:

1   People tend to mimic whatever the FSSP does, and Fr. Dennis Duvelius seems to have made an English translation “cut and pasted” by others. As far as I know, Fr. Duvelius is still an FSSP priest. It would seem he simply overlooked the words ad orientem.

2   Whenever I mention this historical fact, I receive condemnatory emails. I am told to “keep quiet,” as if mentioning its existence will somehow promote ad populum celebrations. My answer is always the same: acknowledging the existence of something (when that existence is beyond dispute) is not wrong.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Versus Populum Altars Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Pope is not an absolute monarch whose thoughts and desires are law. On the contrary: the Pope’s ministry is a guarantee of obedience to Christ and to his Word. He must not proclaim his own ideas, but rather constantly bind himself and the Church to obedience to God’s Word, in the face of every attempt to adapt it or water it down, and every form of opportunism.”

— ‘His Holiness, Pope Benedict XVI (11 May 2005)’

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