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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Most Pure Heart of Mary Schola Cantorum

Dr. Lucas Tappan · March 9, 2015

187 Most Pure Heart Choir N MY PREVIOUS POST regarding famous choir schools, I promised the next one would cover the Regensburger Domspatzen (the Regensburg Cathedral Sparrows), but first I would like to share some exciting news. Currently, there are only two Catholic choir schools in the United States, but beginning in the fall of 2015 they will be joined by a third in Topeka, KS.

If you have read my biography, you know that I work for an incredible parish in northeastern Kansas: Most Pure Heart of Mary Catholic Church. The parish is home to 1800 families, as well as a school with 400 children enrolled and a vibrant home schooling community. The parish is shepherded by two young, dynamic priests who are committed to living the Faith in its fullness and bringing that Faith into the world. We currently have three men from the parish studying for the priesthood, one of whom will be ordained in May.

Four years ago our former pastor gave me permission to spend six weeks at the Madeleine Choir School in Salt Lake City, UT, in order to gather information for my doctoral document (which is on the Madeleine Choir School). When I asked him for permission to go, I told him that I would like to begin such a choral program in the parish, and from that meeting was born the Most Pure Heart of Mary Schola Cantorum. Until now, the Schola Cantorum has always been an “after school” choir school. Our 45 choristers currently rehearse two to three hours every week and sing every Sunday, save one, from September through the Feast of the Immaculate Heart of Mary (our Patroness). The choir focuses on intense vocal training as well as sight-singing and ear-training. Two years ago we began a training program for organists and last year the choir recorded its first CD, A Service of Lessons and Carols. In January of 2016, the choir will travel to Rome to sing for the papal Mass on the Feast of the Epiphany, alongside the Sistine Chapel Choir as well as others from around the world.

With the blessing of our pastor and our principal, the Schola Cantorum will be integrated in the parish school in the fall of 2015, in effect becoming the third Catholic choir school in the United State of America.

I write this in order to share my genuine excitement with people who feel the same way, but also to ask for a favor. We are searching for a new music teacher to continue the 25 plus year legacy of our current music teacher who is retiring in the spring. If you or someone you know would like to help provide an incredible musical education to future generations of our youth, please contact me. This could be your chance of a life time! Finally, I ask for your prayers for our new choral foundation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

«In the same quarter where he was crucified there was a garden.» (John 19:41) — The word “garden” hinted at Eden and the fall of man, as it also suggested through its flowers in the springtime the Resurrection from the dead.

— Fulton J. Sheen

Recent Posts

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  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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