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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download: “67 Hymns” Arranged & Translated by Rev. Adrian Fortescue (1913)

Jeff Ostrowski · March 2, 2015

199 Adrian Fortescue Hymns 1913 T WOULD BE extremely difficult to find a more powerful book than the one below. Numbering 167 pages, it was titled by Fr. Adrian Fortescue as: “Latin Hymns sung at the Church of Saint Hugh in Letchworth.”

* *  HYMNS • Arranged/Translated by Fortescue (1913)

Fortescue’s book was produced with great care. I have some experience here, since I was a consultant for the Jogues Illuminated Missal. (You can view samples of our typesetting by going here and scrolling to the bottom.) Moreover, Fortescue adds fantastic notes about the writers; notes which are extremely succinct yet valuable. And the translations by Fortescue are truly splendid. I cannot help but think of this hymn collection as his life’s great masterpiece.

Compline is included. These sixty-seven hymns represent the basis of Catholic hymnody. Among them: O Lux Beata Trinitas (St. Ambrose); Luminis Fons (Alcuin of York); Te Decet Laus (Apostolic Constitutions); Corde Natus Ex Parentis (Prudentius); Alma Redemptoris Mater (Herimann the Lame); Vexilla Regis (Venantius Fortunatus); and so many more.

An excerpt from the Introduction by Fortescue:

E HAVE ALSO a number of beautiful hymns about the Blessed Sacrament, our Lady, the Church, and so on. But if people do not understand what is sung, to them all this is lost. To find each hymn and antiphon you would need quite a large collection of books. So I have gathered together all the hymns and chants which we usually sing, with a double purpose. First, that anyone who knows the tune may join the singers; secondly, that those who do not sing may be able to follow, to know what is being sung. Every text has an English translation on the opposite page. If anyone does not understand Latin, he can use the translation as his own prayer and so join in intention with those who sing.

Here’s a photograph of Fr. Adrian Fortescue circa 1922.

Title of of Book: Father Adrian Fortescue’s 1913 “Hymnal for Saint Hugh”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Fortescue Hymnal, Roman Catholic Hymnals, Saint Hugh Hymnal Last Updated: March 21, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

Recent Posts

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  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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