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Views from the Choir Loft

Bishop Conley & Advent “Ad Orientem”

Fr. David Friel · January 25, 2015

T THE END of November, I reported on Bishop Conley of Lincoln, NE and his directive that all Advent Masses in his Cathedral of the Risen Christ should be celebrated ad orientem. So, what happened? How did this initiative go, and what was the response?

I was curious to know, myself, inasmuch as I wholeheartedly supported the experiment. So I did a bit of investigative research. The information that follows was obtained from several priests working within the Diocese of Lincoln, and (with their permission) I am pleased now to offer you the results.

First, the photo above was taken at a parish Mass on Christmas Eve. The parish is St. Wenceslaus in Milligan, NE, and you can see here the celebrant facing East. Thus, we see that the initiative extended beyond just the Cathedral parish.

A number of other parishes in the Diocese—probably on the order of 15 to 20—adopted the same practice of facing East during Advent. This was accompanied by explanation & catechesis, and the practice was met with considerable welcome. Multiple priests confirmed that the response was largely positive. Numerous parishioners apparently requested that the practice be continued beyond Advent.

One pastor enumerated some of the reasons his parishioners gave for their appreciation:

1. The posture seems “logical”
2. It makes sense to face the Person to Whom you are speaking
3. Facing East gives the high altar a purpose beyond simple wall decoration
4. It feels very sacred

These are interesting observations on the part of the actively participating faithful.

Another priest told me that his parish seriously considered adopting the initiative in their Advent Masses. Because Bishop Conley’s letter came out only two weeks before Advent, though, they felt there was not sufficient time to offer proper catechesis. Thus, they ultimately chose not to adopt the ad orientem posture. Nevertheless, there was a great openness among the priests.

These results are certainly not exhaustive, but they are directly from priests engaged in ministry within the Diocese. Thus, they are not made up or merely theoretical. They are the practical reflections and unfiltered sentiments of real Catholics.

The bishop’s column introducing the initiative is well done and worth another look. Perhaps this experiment was just a means of testing the waters, with the potential to blossom into fuller use of the ad orientem posture. This would demonstrate remarkable continuity with our liturgical heritage.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Bishop James Douglas Conley, Mass Facing The People, Reform of the Reform Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
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