Views from the Choir Loft

PDF Download: “Laudate Hymnal” (1942) … An Exceptionally Rare Book!

Jeff Ostrowski · January 21, 2015

E HAVE BEEN posting a lot of rare hymnals lately, in preparation for the Brébeuf Hymnal. This one, however—the famous Laudate Hymnal—is a real find, for both the Ordinary & Extraordinary Forms.

We give the 1950 edition, because (in that edition) they added the names of the authors and composers. Believe it or not, it was never the custom for early Catholic hymnals to include items we now consider absolutely essential, such as the tune names & meters. I’m told the Mediator Dei Hymnal was among the first to remedy this unbelievable situation.

This 274-page file is very large:

* * PDF • Laudate Hymnal & Choir Book (1942)

Dr. Horst Buchholz, Vice-President of the Church Music Association of America, recently made this comment on the CCW Facebook page:

Another vernacular hymnal in my humble collection is the beautiful “Laudate” Hymnal from 1942, which was commissioned by Bishop Paul Schulte for the Diocese of Leavenworth, KS [now the Archdiocese of Kansas City, KS]. The hymnal replaced an older (vernacular) hymnbook by Fr. Hohe, and the musical settings are by Fr. Herman Koch, and Fr. Andrew Green, OSB. Definitely worth a look!

You’ll see Dr. Buchholz was 100% correct when you read the Foreword.

We’ve also made available the Complete Proper Of The Mass, With Organ Accompaniment—published by the same authors in 1946.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Music List • (2nd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday—1 March 2026—the 2nd Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the flourishing feasts website alongside the official texts in Latin.

—Jeff Ostrowski

Particularly Beautiful

The 2nd Sunday of Lent has magnificent propers. Its INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

Which Mass?

In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski