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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2014

Cynthia Ostrowski · September 30, 2014

Catholic Line Art, Black and White • Installment #58

Today’s installment comes from the Feast of the Nativity of St. John the Baptist.

Jeff Ostrowski · September 29, 2014

Unforgivable Sins

The great Achilles’ heel of church musicians.

Fr. David Friel · September 28, 2014

Married Couples at the Synod

Celibates have something to offer married couples, just as married couples have lessons to teach celibates.

Veronica Brandt · September 27, 2014

Choirs give hope

Like the precious ointment on the head, that ran down upon the beard, the beard of Aaron

Richard J. Clark · September 26, 2014

Good Cop, Bad Cop

What takes lasting root in liturgy are the things we discover for ourselves.

Dr. Peter Kwasniewski · September 25, 2014

Confusions about Inculturation

A false notion of inculturation has allowed for a vast profanation and paganization of Catholic life and worship.

Cynthia Ostrowski · September 24, 2014

Catholic Line Art, Black and White • Installment #57

Here is a “catalogue” which clearly lists the woodcuts made available so far.

Jeff Ostrowski · September 24, 2014

Are We Getting Dumber?

In spite of all the progress our civilizations have made, the self-appointed “expert liturgists” are regressing.

Aurelio Porfiri · September 23, 2014

Cardinal Lercaro: A Key Player In Liturgical Reform

“This booklet made quite a splash. Even Paul VI had to publicly defend Cardinal Lercaro.” — Aurelio Porfiri

Jeff Ostrowski · September 23, 2014

Photographs • Cardinal Lercaro (Consilium President)

Cardinal Lercaro (President of the Consilium) must not be mixed up with Cardinal Larraona (Prefect of the Sacred Congregation of Rites).

Jeff Ostrowski · September 22, 2014

Fair-Weather Friends Of Good Liturgy & Pope Francis

The catastrophic scandals in our Church, especially those perpetrated by members of the hierarchy, are an opportunity for us to place all of our trust in God.

Corpus Christi Watershed · September 22, 2014

VIDEO • Cardinal Burke Thoroughly Explains Catholic Teaching On Marriage

A 52-minute interview with Raymond Leo Cardinal Burke, Prefect of the Supreme Tribunal of the Apostolic Signatura.

Jeff Ostrowski · September 21, 2014

WEDDING MUSIC FOR A B

(A) Organ music for procession. (B) Introit = Ladies —- “Deus Israel” (C) Kyrie (Rene as Tenor) = 5294 • KYRIE “Iste Sanctus” Figure out how it will be sung… Normal is fine. (D) Gloria (Rene as Tenor) = 7709 • Viadana “Falsobordone Gloria” (E) ALLELUIA (Rene as Tenor) = 3524 • Guerrero “Alleluia” for […]

Veronica Brandt · September 20, 2014

A New Book of Old Hymns 4th edition out now!

60 hymns, 92 pages. Get 25% off with code MATEY25 now through 22 September – good for all books on Lulu

Richard J. Clark · September 19, 2014

Many Questions | Pope Saint John Paul II’s Letter to Artists (Part 2)

Saint John Paul stated: “The ‘beautiful’ was thus wedded to the ‘true’”. Is there a standard for what is beautiful?

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In case of urgent danger of life anyone may baptize, even a heretic or pagan. It is sufficient that he administer the essential matter and form and have the implicit intention of doing what Christ instituted. Naturally a Catholic must be preferred, if possible. A man is preferred to a woman; but anyone else to the parents.”

— Father Adrian Fortescue (1917)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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