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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for August 2014

Corpus Christi Watershed · August 12, 2014

Aurelio Porfiri Letter In Current “Adoremus Bulletin”

“The problem is not pop music, but pop music in the liturgy.” — Aurelio Porfiri

Jeff Ostrowski · August 12, 2014

Some Thoughts On “Englishing” Gregorian Chant

But why bring up this subject at all, when probably 95% of Catholic priests have no familiarity with Gregorian chant? • concerning the challenges of composing Gregorian chant in English+

Jeff Ostrowski · August 11, 2014

Important Resources for Liturgical Reform (4 of 7)

Should Church music be fun? Yes!!!

Jeff Ostrowski · August 11, 2014

Mass Propers In English

Roosevelt was President while paralyzed. Churchill gave speeches but couldn’t pronounce “S” correctly. Surely, then, we can implement the Mass Propers with these 11 collections! • the Graduale Romanum has been set in English by many composers; here are some collections with audio samples+

Guest Author · August 10, 2014

Homily: 19th Sunday in Ordinary Time (Year A)

It’s easy now to say that the disciples had nothing to fear since Jesus was so close. But that is not how it works in real life situations.

Jeff Ostrowski · August 10, 2014

The Most Insane Thing Heard By Anyone

I used to think Horowitz’s additions to the Liszt Hungarian Rhapsody were the most amazing virtuoso display I ever heard. I was wrong.

Fr. David Friel · August 10, 2014

Important Resources for Liturgical Reform (3 of 7)

Public Domain Scores & Published Resources

Guest Author · August 10, 2014

EF Homily: 9th Sunday after Pentecost

Yes, God is merciful, but there is a limit to His mercy.

Veronica Brandt · August 9, 2014

Important Resources for Liturgical Reform (2 of 7)

Planting the seeds for liturgical reform with a new book of old hymns.

Richard J. Clark · August 8, 2014

Important Resources for Liturgical Reform (1 of 7)

Some mainstream resources are geared towards maximizing market share; there are a number of others, perhaps lesser known that have the words of St. Pius X and “Sacrosanctum Concilium” in mind.

Dr. Peter Kwasniewski · August 7, 2014

St. Thomas on the “Asperges” (Sprinkling Rite)

St. Thomas did not comment specifically on the custom of sprinkling the people with holy water prior to the principal Sunday Mass; but he did explain exactly why it’s a good idea to do such a thing.

Jeff Ostrowski · August 6, 2014

Did The Ancient Mass Really Have Three Readings?

“We are repeatedly assured that there was an Old Testament reading each Sunday morning, but that quite mysteriously these all vanished by the seventh century, and vanished leaving no memory that they had ever existed…” — Fr. John Parsons

Guest Author · August 6, 2014

Forty Hours Sermon

The Church in which I was preaching happened to be one of those Churches which didn’t have the Blessed Sacrament in it, and my remark caused quite a stir.

Jeff Ostrowski · August 5, 2014

Five Questions No Liturgist Can Answer

“The present welter of discardable booklets, mimeographed sheets, divergent paperback hymnals, and so on … has unfortunate psychological effects.” — Dr. James Hitchcock

Aurelio Porfiri · August 5, 2014

The Semiologist And The Unbeliever

Once upon a time there was a musician who thought he knew how Gregorian chant should be performed, and was very suspicious of the “semiologists.”

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

— Robert Cardinal Sarah (23-sep-2019), chosen by Pope Francis to be the Vatican’s chief liturgist

Recent Posts

  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?

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