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Views from the Choir Loft

Archives for August 2014

Fr. David Friel · August 31, 2014

Liturgy vs. Social Justice

A Classic Case of the Catholic “Both/And”

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Veronica Brandt · August 30, 2014

Learning Latin in the new millennium

Two approaches to learning a little Latin language for praying with understanding.

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Jeff Ostrowski · August 28, 2014

Choirs & Singers With Spread Vowels — Best Example Ever!

When teaching your choir to hear the difference between “spread” vowels & proper choral vowels, use this example.

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Jeff Ostrowski · August 28, 2014

Why I No Longer Compose

When I observe our beautiful children, I realize that God is the True Artist.

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Dr. Peter Kwasniewski · August 28, 2014

The Awesomeness of the Holy Sacrifice of the Mass

A Benedictine monk helps us appreciate the tremendous miracle of the Mass, which is the central point of all earthly reality.

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Andrew R. Motyka · August 27, 2014

Weddings: Some Practical Advice – The Very Beginning, Part 1

Some thoughts on the Introductory Rites for the Nuptial Mass.

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Jeff Ostrowski · August 27, 2014

Dan Schutte’s “Missa My Little Pony” (2nd Part)

My original article was shared 4,000 times and generated a surprising amount of hate mail.

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Aurelio Porfiri · August 26, 2014

Tu Es Petrus

A common mistake I find in Catholic literature is the belief that if you defend Pope Francis it means you are against Pope emeritus Benedict XVI, and vice versa.

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Jeff Ostrowski · August 25, 2014

Pope John Paul II Wearing The Cappa Magna (As Cardinal Wojtyla)

The most marvelous uniform I’ve seen was the one worn by Prince Charles when he married Diana.

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Jeff Ostrowski · August 25, 2014

NBC “Meet The Press” & Catholic Church Music

At the program’s conclusion, I felt dumber than when I’d started watching.

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Jeff Ostrowski · August 24, 2014

Photo: Church Music Association of America (1964)

This historic photograph was taken at the organizational meeting for the CMAA the same year “Inter Oecumenici” was issued by the Vatican.

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Veronica Brandt · August 23, 2014

Let’s bury the term “highbrow”

Wherein Veronica rails against the public perception of traditional Church music and hopes to break down barriers to unleash the joy planted by musicians of earlier ages.

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Richard J. Clark · August 22, 2014

The Art of Negotiation in Liturgy

Progress is never made by making declarations or quoting the Liturgy Documents. It doesn’t work and never will. So what will?

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Dr. Peter Kwasniewski · August 21, 2014

Why the Mass is the Key to the New Evangelization

We hear a lot these days about the New Evangelization, but not so much about the Holy Sacrifice of the Mass. And yet the Mass is at the very heart of our mission.

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Jeff Ostrowski · August 21, 2014

How To Debunk Four Common Liturgical Myths

The priest returned to the Altar, removed the big red Missal, carried it to the pulpit, and proceeded to translate the entire Gospel into English.

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Corpus Christi Watershed

President’s Corner

    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski
    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

Recent Posts

  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)
  • “Predictable Rhymes?” • A Follow Up
  • Absolutely ‘Perfect’ Voice-Leading?
  • “The Choirmaster Survey” • Update on 29 July 2026

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