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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for August 2014

Andrew R. Motyka · August 20, 2014

Weddings: Some Practical Advice – Introduction

A curmudgeonly introduction to a series on wedding advice.

Guest Author · August 19, 2014

Music & Beauty

The chants of the Sacred Liturgy in particular, form a perfect marriage of text and melody, which St. Basil describes as a type of divine pedagogy.

Aurelio Porfiri · August 19, 2014

Don’t Add Me, Please

If someone tells you “Vatican II wants such-and-such,” ask him where this was said.

Jeff Ostrowski · August 19, 2014

Kirsten Powers & The Hound of Heaven

“I’ll never forget standing outside that apartment and saying to myself, ‘It’s true. It’s completely true.’ … I had not one iota of doubt. I was filled with indescribable joy.”

Jeff Ostrowski · August 18, 2014

Breaking News! Pope Francis Refuses To Adopt “Narrative” Of Progressive Liturgists

That Tablet article could best be described as ill-informed gossip from an unqualified author with too much time on his hands…

Guest Author · August 17, 2014

Homily: 20th Sunday in Ordinary Time (Year A)

How much faith and confidence do I have when I pray for the conversion of a loved one? Do I have as much faith as this woman who asked for the cure of her daughter?

Fr. David Friel · August 17, 2014

Hippolytus of Rome & Eucharistic Prayer II

What’s the Connection?

Veronica Brandt · August 16, 2014

Daily martyrology

When the going gets tough, the liturgy of the hours puts things in perspective.

Richard J. Clark · August 15, 2014

The Paradox of Liturgical Reform Amidst Human Suffering

Following the rubrics or enacting the GIRM is not the ends. It is a means towards which we find immediacy with God in prayer and therefore healing for humanity.

Dr. Peter Kwasniewski · August 14, 2014

Important Resources for Liturgical Reform (7 of 7)

“Who could have anticipated such a Renaissance of music-making in the desert of postmodernity? Yet this was but the first wave, and now we are enjoying a second…”

Jeff Ostrowski · August 14, 2014

CALLING ALL PRIESTS! —Your Parishioners Are Waiting… They’re Waiting For…

“Before the Council, liturgical law was regarded as something sacred; but everyone now feels authorized to do what he likes…” — Cardinal Antonelli (24 July 1968)

Andrew R. Motyka · August 13, 2014

Important Resources for Liturgical Reform (6 of 7)

Some free resources for Cantor, Choir, and Organ for furthering the liturgical reform in your parish.

Fr. David Friel · August 13, 2014

Assumption Mass

Msgr. Andrew Wadsworth will celebrate a Solemn High Mass in the Extraordinary Form this Friday evening in Philadelphia.

Aurelio Porfiri · August 13, 2014

The Plague

When I speak with Pope Francis, will I ask him to care about sacred music? No. Abuses of the liturgy? No, I will ask him about the root of these problems.

Guest Author · August 12, 2014

Important Resources for Liturgical Reform (5 of 7)

“Simple English Choral Propers” by Jon Naples

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Corpus Christi Watershed

President’s Corner

    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns
  • Alphabetizing Hymn Titles Inside Hymnals • “Does This Make Any Sense?”

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