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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are Priests Permitted To Add More Scripture To The Ordinary Form? Yes!

Jeff Ostrowski · July 29, 2014

198 Mitre OMETIMES THE OPPOSITE of what we desire occurs. For example, I’ve had the experience of having Humana (a health insurance company) make fraudulent withdrawals from my bank account. When I contacted them, they promised to return the money, but instead took more. After several months of this type of behavior, I was forced to hire an attorney to get my money back.

The same is true of the reformed liturgy.

The fathers of the Second Vatican Council desired a greater use of Scripture, but somehow the reformers (who began their work after the Council ended) decided to do the opposite, removing gobs of biblical passages. A list of scriptural passages eliminated by the reformers would include:

a) An entire Psalm at the beginning (each Mass).
b) An entire Psalm during the Offertory Incensation (High Mass only).
c) An entire Psalm during the Washing of Hands (each Mass).
d) An entire Gospel Reading at the conclusion (each Mass).

It’s highly unlikely such items will be reintroduced to the Ordinary Form anytime soon. So what should we do? Grumble and complain?

RATHER THAN CURSE THE DARKNESS, priests in the Ordinary Form can immediately add tons of Scripture back into the Mass. All they have to do is use the Propers from the Roman Gradual, which are almost entirely scriptural. Moreover, the Propers are the “First Option” in the General Instruction of the Roman Missal, which means they must be given preference in “average” parish circumstances.

However, it is essential that those sitting in the pews follow along, whether Propers are sung in English or Latin. This has always been a concern to good and faithful priests, as you can see by the following examples:

      * *  PDF Download: Paris Missal for the Laity (1777)

      * *  PDF Download: Vienna Missal for the Laity (1783)

      * *  PDF Download: London Missal for the Laity (1806)


A new parish booklet is available which will absolutely change the liturgical landscape, in my opinion, owing to the sumptuous beauty of its printed fonts. It’s the only Ordinary Form pew book to include the complete Propers in English & Latin.

Do you agree its typesetting is insanely legible? Here are some samples:

      * *  Sample Pages — St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual

These books are incredibly affordable and will allow the members of your congregation to enter into the ancient Propers of the Mass. Because it’s for the “English Mass” (Ordinary Form) it adheres to the reformed Gradual.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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