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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Diary of Cardinal Antonelli (1964): “How Exactly Should The Vatican II Mass Look?”

Jeff Ostrowski · July 19, 2014

6031 Antonelli ARDINAL FERDINAND ANTONELLI served as Secretary for the Consilium of Paul VI. (Technically, Cardinal Antonelli was appointed “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962.) Extremely well-informed and experienced, he was probably the most reliable and unbiased witness of the postconciliar liturgical reforms.

As you can see below, Cardinal Antonelli would today be given a “Reform of the Reform” label, proving that Pope Benedict XVI was correct 1 in his interpretation of the Second Vatican Council.

Please do not freak out because the diary contains Latin quotes: I’ve provided an English translation at the end.

Any comments written in red are mine.

*           *           *

PRIVATE DIARY OF CARDINAL ANTONELLI
—   Entry Date:   27 December 1964   —

Sacrosanctum Concilium

1. Article 50 of the Constitution contains 3 words which are explosive when compared to the actual state of things: Ordo Missae recognoscatur.

Therefore, the fixed parts of the Mass must be revised. In reality, they are not very ancient and assumed their present form only in the Tridentine reform. The Canon, however, has remained unchanged since the time of Gregory the Great, simply because he believed it to be Apostolic in origin.

[Cardinal Antonelli is incorrect when he says “in reality, they are not very ancient.” He’s probably referring to the fact that certain parts of the Tridentine Ordo Missae—such as the Offertory Prayers and “Prayers at the Foot of the Altar“—are not quite as ancient as things like the Canon and Proprium Missae. However, even those items go back many centuries before the Council of Trent, as anyone who purchases the Jogues Missal can see clearly.]

2. The Constitution also gives the criteria for recognition:

a) Singularum partium propria ratio necnon mutua connexio clarius pateant, for example, distinguishing the place of the liturgy of the word and that of the Eucharist;

[The Tridentine Low Mass did not demonstrate the difference between the Liturgy of the Word and the Liturgy of the Eucharist as clearly as the arrangement used during a Tridentine Pontifical Mass. Antonelli here wants the Pontifical to be chosen so that the “intrinsic nature and purpose of the Mass may be more clearly manifested.” For the record, the Pontifical form is probably more ancient.]

b) Pia et actuosa fidelium participatio facilior reddatur, simplifying some things, Psalm 42, for example;

[The Tridentine Rite prescribed a recitation of Psalm 42, which had been used as preparation for Mass many centuries before the Council of Trent. However, Antonelli is here suggesting that “devout and active participation by the faithful” is impossible if Psalm 42 remains.]

c) ritus simpliciores fiant, for example some genuflections and many signs of the cross;

[In response to the Council’s desire that “the rites are to be simplified,” Antonelli suggests that some of the numerous genuflections could be eliminated, as well as the great number of times the Priest makes the sign of the Cross. In particular, some liturgists—especially those who possessed a very superficial understanding of the Sacraments—had a difficult time understanding why the Priest was required to make the sign of the Cross over the Sanctissimum, because no man can ever “bless” God. There is more that could be said about this, but it would be inappropriate to do so here.]

d) ea omittantur quae duplicatur fuerunt, for example, that the celebrant should have to say alone the parts sung by the deacon or subdeacon;

[Antonelli here reacts against those parts of the Tridentine liturgy where the priest “duplicates” the exact words prayed by the choir, congregation, deacon, or subdeacon. Pope Pius XII had already eliminated this duplication during the Gospel, as well as the sizable readings at the Easter Vigil on Holy Saturday. For the record, it’s hard to see how it makes any difference to Catholics in the pews whether the Celebrant quietly recites prayers like the Gloria, Creed, and so on.]

e) restituantur nonnulla quae deciderunt, for example, the oratio fidelium.

[Antonelli was a huge fan of the “Prayer of the Faithful,” which some liturgists believe to be extremely ancient. There is an odd moment in the Tridentine Rite where the priest (after the Creed) turns around and sings «Orémus» but no prayer follows, and this might have been where the ancient “Prayer of the Faithful” happened. In another diary entry, Antonelli says the special prayers on Good Friday are vestiges of the “Prayer of the Faithful,” but scholars today disagree about this.]

Article 50 of the Constitution, which is very dense, lays down two indisputable conditions:

1. Ut substantia rituum servetur, in such a way that were St. Pius V or St. Gregory the Great to come back, they would be able to say that the Mass had substantially remained the same.

2. Ad pristinam sanctorum Patrum normam. This expression is taken from the Bull of Saint Pius V of 1570 on the Missal. It means that the entire revision must be carried out in accordance with the tradition of the Church.

Here’s a “key” to the Latin quotes:

Sacrosanctum Concilium

50. Ordo Missae ita recognoscatur, ut singularum partium propria ratio necnon mutua connexio clarius pateant, atque pia et actuosa fidelium participatio facilior reddatur.

Quamobrem ritus, probe servata eorum substantia, simpliciores fiant; ea omittantur quae temporum decursu duplicata fuerunt vel minus utiliter addita; restituantur vero ad pristinam sanctorum Patrum normam nonnulla quae temporum iniuria deciderunt, prout opportuna vel necessaria videantur.

Sacrosanctum Concilium

50. The rite of the Mass is to be revised in such a way that the intrinsic nature and purpose of its several parts, as also the connection between them, may be more clearly manifested, and that devout and active participation by the faithful may be more easily achieved.

For this purpose the rites are to be simplified, due care being taken to preserve their substance; elements which, with the passage of time, came to be duplicated, or were added with but little advantage, are now to be discarded; other elements which have suffered injury through accidents of history are now to be restored to the vigor which they had in the days of the holy Fathers, as may seem useful or necessary.

 


NOTES FROM THIS ARTICLE:

1   By the way, I’m amazed that Benedict’s astounding talk has not been made into a booklet yet.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Cardinal Ferdinando Giuseppe Antonelli OFM, Hymns Replacing Propers, Reform of the Reform Last Updated: October 19, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

The frequent elisions, as in the verse “Hoc óstium arcae in látere est Genti ad salútem pósitum” (feast of the Sacred Heart) make for an unpronounceable and unsingable hymn, and slightly less so does the hymn for Christ the King.

— Archbishop Hannibal Bugnini

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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