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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Preconciliar Missal Allowed Mass “Versus Populum”

Jeff Ostrowski · April 7, 2014

E HAVE SPOKEN a lot about the history of “versus populum” celebration. For example, here is a whole series of articles on that topic. Some may be interested to learn that “versus populum” was actually allowed in the old Latin Liturgy (although Mass was almost never offered that way).

If you don’t believe me, click here:

* *  Rubrics from a 1906 Missale Romanum

These same rubrics have been found in Missals published in 1962, 1927, 1943, 1906, and 1886. If you find earlier missals which say the same thing, please email me.


1962 RUBRICS — Ritus Servandus in celebratione Missae

V, §3 • Si Altare sit ad Orientem, versus populum, Celebrans versa facie ad populum, non vertit humeros ad Altare, cum dicturus est Dominus vobiscum, Orate, fratres, Ite, Missa est, vel daturus benedictionem; sed, osculato Altari in medio, ibi expansis et junctis manibus, ut supra, salutat populum, et dat benedictionem.

V, §3 • If the Altar faces the people, the Celebrant does not turn his back to the Altar when saying Dominus vobiscum, Orate, fratres, Ite, missa est, or when giving the blessing, but having kissed the Altar in the middle, there extending and joining his hands, as above, facing the people, greets them and gives the blessing.

XII, 2 • Si Celebrans in Altari vertit faciem ad populum, non vertit se, sed stans ut erat, benedicit populo, ut supra, in medio Altaris; deinde accedit ad cornu Evangelii, et dicit Evangelium S. Joannis.

XII, §2 • If the Celebrant is at an Altar facing the people, he does not turn around, but standing as he was, blesses the people, as above, at the middle of the Altar. Then he goes to the Gospel side, and reads the Gospel of St. John.

WHEN THE PRIEST FACES ad orientem, what a powerful statement it makes when he literally turns around to speak to the congregation. Think about it. How many times in your life are you focused on doing something, then literally turn around to speak to the ones who are following you? I was taught never to turn around in my pew … Can you imagine how awkward it would be in the middle of Mass for me to keep turning around to face the person behind me? Yet, the priest does this constantly, according to the rubrics, to emphasize the unity that ought to exist between celebrant and congregation. Wow! Very cool.

 

 

UPDATE (from a kind reader):

“Si Altare sit ad Orientem, versus populum, Celebrans versa facie ad populum…” can be found in a 1625 missal on p. xxxvii; a 1674 missal on p. 220; 1861 missal on p. 49; 1866 missal p. xxix as well as several other Missals. Go to google books and type in a dozen words from the rubric and it will come up with a list. You can sort and filter your results by year if you please. My guess is that the rubric has been in there since 1570 (and possibly in earlier Missals), however I have been unable to find either a pdf of one or to physically be able to look in one to verify this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: March 31, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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