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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Ratzinger: “How much filth there is in the church!”

Jeff Ostrowski · January 24, 2014

saint lawrence IFE IN THE MIDDLE AGES must have been unthinkably brutal. They had no running water. They had no electricity. They lacked air conditioners and heaters. Think of it: they lacked all the techniques of modern medicine. They had no plumbing. Life expectancy was frightfully short, and childbirth nightmarish. The utter filth — the total lack of sanitation — must have been unimaginable. Worst of all, imagine watching your poor little child suffer, without any way to ease the suffering.

And yet, think of the liturgical art that comes to us from the Middle Ages. Think of the beautiful Gregorian chant, and (later) polyphony. Think of the frescoes by Angelico, Botticelli, and Ghirlandaio. Why on earth would people living in such barbaric, brutal times be concerned with liturgical beauty?

A few days ago, I read a book review on NLM and, thanks to Google, was able to read excerpts from the actual book (until I’d had enough). The book was by Andrea Grillo, who repeated the same old tired ideas of the past 40 years. Without rehashing all that, his school of thought claims that “modern man” is too stupid to appreciate a Lingua Sacra, the liturgy needs to be continuously dumbed down, Church music should be whatever entertains certain people, following a Missal at Mass is unthinkable and impossible, eloquent and hieratic language must never return, and so on ad infinitum.

And yet … consider that every day for medieval Catholics must have been pure misery compared to what we have, but they valued highly liturgical beauty and excellence. I can’t help thinking that Pope Benedict XVI was right: the liturgy must be beautiful. If we’re too lazy to put forth minimal effort, then something is wrong with us!

The 2005 “Stations of the Cross” by Pope Benedict XVI are quite moving. When he spoke of the “filth” of the Church, he was referencing spiritual filth — specifically, Catholic priests who disobeyed God’s holy law. How strange that the medieval Catholics, who lived in (quite frankly) a filthy physical world, in many ways took the liturgy more seriously than we do today, in spite of all the blessings and advantages we’ve been given.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Benedict XVI, Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

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