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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Ministerial Creativity” by Bishop Donald Trautman

Jeff Ostrowski · December 19, 2013

921 Trautman Inculturation URING HIS LONG career, Bishop Donald Trautman published a whole host of liturgical articles, and most are available online. As Chairman of the USCCB Committee on Liturgy, he was a major proponent of the following:

“inclusivity” & “pastoral considerations”

“cultural sensitivity” & “inculturation” *

“ministerial creativity”

avoidance of “rubrical rigidity”

For the average Catholic in the pews, what have the results been? To mention just one, 99% of today’s Catholic parishes can lawfully use horrible song texts set to secular tunes instead of the ancient Propers assigned by the Church. Sometimes, the hymns are heretical, but not all are. Usually, they’re just colloquial, lamentably uninspired rubbish, like these typical examples from modern hymnals like GIA’s Worship IV.

ON THE OTHER HAND, BISHOP TRAUTMAN had absolutely no tolerance for the Extraordinary Form or the Ordinary Form said in Latin, no matter how ardently certain members of the faithful desired it. He even issued a special set of incredibly rigid rules in an attempt to prevent his priests from celebrating the Extraordinary Form. I’m probably the last person in the world Bishop Trautman would have consulted, but if asked, here’s what I would have said:

Bishop Trautman, your efforts should not be spent persecuting priests and faithful Catholics who ardently desire a more reverent form the Mass, allowed by the Church. These are venerable rites. With regard to the Extraordinary Form, it nourished so many saints over the centuries. With regard to the Ordinary Form in Latin, the Second Vatican Council specifically ordered that Latin be preserved. You’ve said we must be “pastorally sensitive to the liturgical assembly.” You’ve condemned “rigid uniformity in matters that do not involve the faith.” Shouldn’t your rules be applied equally to all Catholics?

BISHOP TRAUTMAN HAS MADE STATEMENTS which conflict with official statements by the Second Vatican Council:

      * *  Verified Statements • Most Rev. Donald Trautman, Bishop Emeritus of Erie

Why were such bizarre statements made? Some have suggested that “his generation” could get away with it, since average Catholics had no access to the conciliar documents — after all, the internet only became popular in the 1990s. I suppose that’s possible. Another possibility would be that he never studied the documents of Vatican II. After all, his writings are full of errors. For example, Bishop Trautman implied the first Mass was in the vernacular — it wasn’t! — and seems unaware of the “Pauline” origin of et cum spiritu tuo.

Here’s the bottom line: we shouldn’t assume that, because a person is elected to chair the USCCB Committee on Liturgy, he automatically knows everything. For instance, consider these recent words by the former Executive Director of the USCCB Committee on Divine Worship, who served just two decades after the liturgical reforms. The reason he can’t find that musical setting is rather simple … the Prayers at the Foot of the Altar were never sung!


* Unfortunately, when Bishop Trautman cites “inculturation,” he ignores the specific requirements given in Sacrosanctum Concilium, interpreting it in warped, one-sided way.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“To treat harmony and rhythm in this matter was a difficult matter. Facing numerous problems both large and small—that arose constantly—we understood that a flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— ‘Mons. Jules Van Nuffel, NOH Preface’

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  • PDF • “Music List” (Xmas Midnight Mass)

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