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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Ministerial Creativity” by Bishop Donald Trautman

Jeff Ostrowski · December 19, 2013

921 Trautman Inculturation URING HIS LONG career, Bishop Donald Trautman published a whole host of liturgical articles, and most are available online. As Chairman of the USCCB Committee on Liturgy, he was a major proponent of the following:

“inclusivity” & “pastoral considerations”

“cultural sensitivity” & “inculturation” *

“ministerial creativity”

avoidance of “rubrical rigidity”

For the average Catholic in the pews, what have the results been? To mention just one, 99% of today’s Catholic parishes can lawfully use horrible song texts set to secular tunes instead of the ancient Propers assigned by the Church. Sometimes, the hymns are heretical, but not all are. Usually, they’re just colloquial, lamentably uninspired rubbish, like these typical examples from modern hymnals like GIA’s Worship IV.

ON THE OTHER HAND, BISHOP TRAUTMAN had absolutely no tolerance for the Extraordinary Form or the Ordinary Form said in Latin, no matter how ardently certain members of the faithful desired it. He even issued a special set of incredibly rigid rules in an attempt to prevent his priests from celebrating the Extraordinary Form. I’m probably the last person in the world Bishop Trautman would have consulted, but if asked, here’s what I would have said:

Bishop Trautman, your efforts should not be spent persecuting priests and faithful Catholics who ardently desire a more reverent form the Mass, allowed by the Church. These are venerable rites. With regard to the Extraordinary Form, it nourished so many saints over the centuries. With regard to the Ordinary Form in Latin, the Second Vatican Council specifically ordered that Latin be preserved. You’ve said we must be “pastorally sensitive to the liturgical assembly.” You’ve condemned “rigid uniformity in matters that do not involve the faith.” Shouldn’t your rules be applied equally to all Catholics?

BISHOP TRAUTMAN HAS MADE STATEMENTS which conflict with official statements by the Second Vatican Council:

      * *  Verified Statements • Most Rev. Donald Trautman, Bishop Emeritus of Erie

Why were such bizarre statements made? Some have suggested that “his generation” could get away with it, since average Catholics had no access to the conciliar documents — after all, the internet only became popular in the 1990s. I suppose that’s possible. Another possibility would be that he never studied the documents of Vatican II. After all, his writings are full of errors. For example, Bishop Trautman implied the first Mass was in the vernacular — it wasn’t! — and seems unaware of the “Pauline” origin of et cum spiritu tuo.

Here’s the bottom line: we shouldn’t assume that, because a person is elected to chair the USCCB Committee on Liturgy, he automatically knows everything. For instance, consider these recent words by the former Executive Director of the USCCB Committee on Divine Worship, who served just two decades after the liturgical reforms. The reason he can’t find that musical setting is rather simple … the Prayers at the Foot of the Altar were never sung!


* Unfortunately, when Bishop Trautman cites “inculturation,” he ignores the specific requirements given in Sacrosanctum Concilium, interpreting it in warped, one-sided way.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

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