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1934 “Antiphonale Monasticum” (Solesmes Abbey) • Free PDF Download!

Jeff Ostrowski · December 4, 2013

THE FAMOUS 1934 Antiphonale Monasticum published by the monks of Solesmes can now be downloaded in its entirety:

* * Part 1 of 3 • pp. 1 – 363

* * Part 2 of 3 • pp. 364 – 763

* * Part 3 of 3 • pp. 764 – 1,296

Part 3 had some missing pages. These were added as of 10 December 2013 thanks to Gustav Valencia.

Father Brian T. Austin, FSSP, has created a B/W version—based on our scanned copy—which can be downloaded:

* PDF Download • ANTIPHONALE MONASTICUM (1934)
—Scanned and uploaded by Corpus Christi Watershed.

IT IS INTERESTING TO NOTE that Fr. Paul Jausions (†1870) was born in 1834, precisely a century before the publication of the Antiphonale Monasticum. After Jausions’ death (in America!), his associate, Fr. Joseph Pothier, took the reins, and history knows what he was able to accomplish. The 1934 Antiphonale, however, might be regarded as the “crowning achievement” of the Solesmes monastery (unless it was the 1903 Liber Usualis). Dom Gajard is generally believed to have been the motivating force behind its publication.

Not everyone appreciated this work. In 1960, Msgr. Francis P. Schmitt wrote in the Caecilia:

“The Monastic Antiphonal is proof that the archaeologists never gave up. One can have no objection to the adherents of Solesmes singing what they please, but it is a fair and conjured guess that a cursory reading of the Monastic Antiphonary, and other books said to be in preparation, will make most people grateful that the like was not released upon the unsuspecting public some fifty years ago.”

THOSE WHO WISH TO LEARN MORE about Abbot Joseph Pothier, Fr. André Mocquereau, and the Vatican Edition might be interested in the following:

VIDEOS: 01 • 02 • 03 • 04 • 05 • 06 • 07

Article by Jeff Ostrowski — The rhythm of the Vatican Edition (PDF)

(1906) Fr. Henry Bewerunge’s Attack on the Vatican Edition (PDF)

(1906) Prior T. A. Burge, O.S.B. Defense of the Vatican Edition (PDF)

(1907) Dr. Peter Wagner’s Article on the Vatican Edition (PDF)

A few extra items worth noting:

Alternate Version of Article (with minor changes)
Hayburn Dissertation (Page 317)
Translation Explained

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Offertory” at Catholic Funerals

I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!

—Jeff Ostrowski

“In Paradisum” • Gregorian Chant

As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.

—Jeff Ostrowski

“Music List” • All Souls (2 November)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).

—Jeff Ostrowski

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski