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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2013

Corpus Christi Watershed · September 23, 2013

Raymond Cardinal Leo Burke Interview

“The greatest sign of hope for me is the young people I meet who believe more than my generation and recognize how bankrupt our culture is and want the truth.” — Raymond Cardinal Leo Burke

Jeff Ostrowski · September 23, 2013

No Salvation From Decrees (3 of 3)

Fr. Georg May was a superb Canon lawyer and faithfully heard Confessions every Saturday … even during the tumultuous years following the Second Vatican Council.

St. Edmund Campion Missal and Hymnal · September 22, 2013

Nine Images • The Campion Missal & Hymnal

Here are nine images of the 2nd edition.

Fr. David Friel · September 22, 2013

New Testament Hymns

Mystery as Light

Veronica Brandt · September 21, 2013

The Pope’s interview, context and Latin.

We shouldn’t sing in Latin because it cuts people off. Except O Sanctissima, because everyone knows that one. And maybe Salve Regina. And Tantum Ergo we all know by now. And…

Fr. David Friel · September 21, 2013

Fringe Fest

The Call of Matthew

Richard J. Clark · September 20, 2013

Inviolable Refuge

At one time or another, all artists are tested in the same way that faith is tested. In this test—the infliction we will endure at one time or another—our faith is made stronger.

Corpus Christi Watershed · September 20, 2013

A Beautiful Quote By Archbishop Fulton J. Sheen

Here at Watershed, Bishop Sheen is one of our favorites.

Dr. Peter Kwasniewski · September 19, 2013

The Sexual Rhythm of Rock Music (2 of 2)

After causing general apoplexy with last week’s post, I will endeavor today to add some nuances and respond to objections.

Jeff Ostrowski · September 19, 2013

“Adoremus In Æternum” … Heretical?

“Will you still love your girlfriend after she becomes your wife?”

Andrew R. Motyka · September 18, 2013

Sacramental Grace and Intentional Discipleship

How disposition affects our receptivity of grace.

Cynthia Ostrowski · September 17, 2013

Catholic Line Art, Black and White • Installment #34

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · September 16, 2013

No Salvation From Decrees (2 of 3)

If a choir sings the “Kyrie Eleison” in Greek, is it still considered a “Latin Mass?” Archbishop Bugnini disagrees.

Jeff Ostrowski · September 15, 2013

Jeb Bush And The Sacred Liturgy

“It might surprise a stranger that, after we have solemnly told the people to go away, they stay and the service continues.” — Adrian Fortescue

Fr. David Friel · September 15, 2013

Serious about Sacred Music

The Playfulness of God

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

Recent Posts

  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!
  • Psalm Tone Challenge!
  • Card. Heenan on Ronald Knox: “Perhaps the Church’s greatest figure of the 20th century.”

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