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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2013

Corpus Christi Watershed · September 23, 2013

Raymond Cardinal Leo Burke Interview

“The greatest sign of hope for me is the young people I meet who believe more than my generation and recognize how bankrupt our culture is and want the truth.” — Raymond Cardinal Leo Burke

Jeff Ostrowski · September 23, 2013

No Salvation From Decrees (3 of 3)

Fr. Georg May was a superb Canon lawyer and faithfully heard Confessions every Saturday … even during the tumultuous years following the Second Vatican Council.

St. Edmund Campion Missal and Hymnal · September 22, 2013

Nine Images • The Campion Missal & Hymnal

Here are nine images of the 2nd edition.

Fr. David Friel · September 22, 2013

New Testament Hymns

Mystery as Light

Veronica Brandt · September 21, 2013

The Pope’s interview, context and Latin.

We shouldn’t sing in Latin because it cuts people off. Except O Sanctissima, because everyone knows that one. And maybe Salve Regina. And Tantum Ergo we all know by now. And…

Fr. David Friel · September 21, 2013

Fringe Fest

The Call of Matthew

Richard J. Clark · September 20, 2013

Inviolable Refuge

At one time or another, all artists are tested in the same way that faith is tested. In this test—the infliction we will endure at one time or another—our faith is made stronger.

Corpus Christi Watershed · September 20, 2013

A Beautiful Quote By Archbishop Fulton J. Sheen

Here at Watershed, Bishop Sheen is one of our favorites.

Dr. Peter Kwasniewski · September 19, 2013

The Sexual Rhythm of Rock Music (2 of 2)

After causing general apoplexy with last week’s post, I will endeavor today to add some nuances and respond to objections.

Jeff Ostrowski · September 19, 2013

“Adoremus In Æternum” … Heretical?

“Will you still love your girlfriend after she becomes your wife?”

Andrew R. Motyka · September 18, 2013

Sacramental Grace and Intentional Discipleship

How disposition affects our receptivity of grace.

Cynthia Ostrowski · September 17, 2013

Catholic Line Art, Black and White • Installment #34

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · September 16, 2013

No Salvation From Decrees (2 of 3)

If a choir sings the “Kyrie Eleison” in Greek, is it still considered a “Latin Mass?” Archbishop Bugnini disagrees.

Jeff Ostrowski · September 15, 2013

Jeb Bush And The Sacred Liturgy

“It might surprise a stranger that, after we have solemnly told the people to go away, they stay and the service continues.” — Adrian Fortescue

Fr. David Friel · September 15, 2013

Serious about Sacred Music

The Playfulness of God

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Been to Catholic church and heard Mass. Execrable music! Organ played by a young girl who made impossible harmonies. Sermon very long. The preacher screamed loud enough to tire his lungs. The congregation was affected.”

— Louis Moreau Gottschalk (8 May 1864)

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