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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2013

Corpus Christi Watershed · September 23, 2013

Raymond Cardinal Leo Burke Interview

“The greatest sign of hope for me is the young people I meet who believe more than my generation and recognize how bankrupt our culture is and want the truth.” — Raymond Cardinal Leo Burke

Jeff Ostrowski · September 23, 2013

No Salvation From Decrees (3 of 3)

Fr. Georg May was a superb Canon lawyer and faithfully heard Confessions every Saturday … even during the tumultuous years following the Second Vatican Council.

St. Edmund Campion Missal and Hymnal · September 22, 2013

Nine Images • The Campion Missal & Hymnal

Here are nine images of the 2nd edition.

Fr. David Friel · September 22, 2013

New Testament Hymns

Mystery as Light

Veronica Brandt · September 21, 2013

The Pope’s interview, context and Latin.

We shouldn’t sing in Latin because it cuts people off. Except O Sanctissima, because everyone knows that one. And maybe Salve Regina. And Tantum Ergo we all know by now. And…

Fr. David Friel · September 21, 2013

Fringe Fest

The Call of Matthew

Richard J. Clark · September 20, 2013

Inviolable Refuge

At one time or another, all artists are tested in the same way that faith is tested. In this test—the infliction we will endure at one time or another—our faith is made stronger.

Corpus Christi Watershed · September 20, 2013

A Beautiful Quote By Archbishop Fulton J. Sheen

Here at Watershed, Bishop Sheen is one of our favorites.

Dr. Peter Kwasniewski · September 19, 2013

The Sexual Rhythm of Rock Music (2 of 2)

After causing general apoplexy with last week’s post, I will endeavor today to add some nuances and respond to objections.

Jeff Ostrowski · September 19, 2013

“Adoremus In Æternum” … Heretical?

“Will you still love your girlfriend after she becomes your wife?”

Andrew R. Motyka · September 18, 2013

Sacramental Grace and Intentional Discipleship

How disposition affects our receptivity of grace.

Cynthia Ostrowski · September 17, 2013

Catholic Line Art, Black and White • Installment #34

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · September 16, 2013

No Salvation From Decrees (2 of 3)

If a choir sings the “Kyrie Eleison” in Greek, is it still considered a “Latin Mass?” Archbishop Bugnini disagrees.

Jeff Ostrowski · September 15, 2013

Jeb Bush And The Sacred Liturgy

“It might surprise a stranger that, after we have solemnly told the people to go away, they stay and the service continues.” — Adrian Fortescue

Fr. David Friel · September 15, 2013

Serious about Sacred Music

The Playfulness of God

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Corpus Christi Watershed

President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

Recent Posts

  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant

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