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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Should The Priest Face The People At Mass?

Jeff Ostrowski · July 19, 2013

644 ad orientem N THE YEARS leading up to the Second Vatican Council, it was popular to claim that “Mass facing the people” (versus populum) was the “more primitive” form of Mass. However, over the last four decades, scholars have been moving further and further away from this belief. It is very difficult to know where the scholarship will end up when all is said and done. However, even if somebody could definitively prove that “versus populum” was routinely used in the early Church, that doesn’t mean we should go back to it, because the Church often had good reasons for changing things as time went on and Theology developed.

In any event, here’s an interesting article from the May 1993 issue of Notitiae:

      * *  Article about “Ad Orientem” Celebration of Mass

Also in that PDF are comments by Msgr. Richard J. Schuler, including these:

“Guidelines are given indicating that in churches with altars that are themselves works of art, they should not be destroyed and a portable altar should not be placed in the sanctuary. Rather, the main altar, with the priest facing toward God, is to be used. The readings, of course, are made toward the people.”

Here’s some information about Notitiae by Fr. John T. Zuhlsdorf:

Notitiae is the official publication of the congregation. It relates various speeches of the Holy Father, minutes of plenary sessions of the congregations, various continuing scholarly studies accepted in manuscript or undertaken by the congregation concerning the liturgy; provides the ordinary prayers for newly beatified or canonized saints to be used in the Mass or the Liturgy of the Hours; publishes decrees of the same congregation; from time to time responds formally and publicly to questions raised about the liturgy with official clarifications or interpretations; and also provides editorials or opinions. While some of the things in Notitiae have an official character, such as a decree or clarification, an editorial has no authority other than that derived from the strength of its arguments and ability to persuade.

Finally, below is an excerpt from Joseph Cardinal Ratzinger’s Foreword to Fr. Uwe Michael Lang’s book, Turning Towards the Lord. I think it’s interesting that Cardinal Ratzinger points out the same thing I did years ago, viz., getting rid of Latin and Mass facing the people cannot be found in any document of Vatican II. Perhaps Cardinal Ratzinger heard what I was saying to people and thought it would be good to use in his Foreword . . . does that seem likely?

To the ordinary churchgoer, the two most obvious effects of the liturgical reform of the Second Vatican Council seem to be the disappearance of Latin and the turning of the altars towards the people. Those who read the relevant texts will be astonished to learn that neither is in fact found in the decrees of the Council. The use of the vernacular is certainly permitted, especially for the Liturgy of the Word, but the preceding general rule of the Council text says, ‘Particular law remaining in force, the use of the Latin language is to be preserved in the Latin rites’ (Sacrosanctum Concilium, 36.1).

There is nothing in the Council text about turning altars towards the people; that point is raised only in postconciliar instructions. The most important directive is found in paragraph 262 of the Institutio Generalis Missalis Romani, the General Instruction of the new Roman Missal, issued in 1969. That says, ‘It is better for the main altar to be constructed away from the wall so that one can easily walk around the altar and celebrate facing the people (versus populum).’ The General Instruction of the Missal issued in 2002 retained this text unaltered except for the addition of the subordinate clause, ‘which is desirable wherever possible’. This was taken in many quarters as hardening the 1969 text to mean that there was now a general obligation to set up altars facing the people ‘wherever possible’.

This interpretation, however, was rejected by the Congregation for Divine Worship on 25 September 2000, when it declared that the word ‘expedit’ (‘is desirable’) did not imply an obligation but only made a suggestion. The physical orientation, the Congregation says, must be distinguished from the spiritual. Even if a priest celebrates versus populum, he should always be oriented versus Deum per Iesum Christum (towards God through Jesus Christ). Rites, signs, symbols, and words can never exhaust the inner reality of the mystery of salvation. For this reason the Congregation warns against one-sided and rigid positions in this debate.

This is an important clarification. It sheds light on what is relative in the external symbolic forms of the liturgy and resists the fanaticisms that, unfortunately, have not been uncommon in the controversies of the last forty years. At the same time it highlights the internal direction of liturgical action, which can never be expressed in its totality by external forms. This internal direction is the same for priest and people, towards the Lord-towards the Father through Christ in the Holy Spirit. The Congregation’s response should thus make for a new, more relaxed discussion, in which we can search for the best ways of putting into practice the mystery of salvation. The quest is to be achieved, not by condemning one another, but by carefully listening to each other and, even more importantly, listening to the internal guidance of the liturgy itself. The labelling of positions as ‘preconciliar’, ‘reactionary’, and ‘conservative’, or as ‘progressive’ and ‘alien to the faith’ achieves nothing; what is needed is a new mutual openness in the search for the best realization of the memorial of Christ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Those who are trying to improve the quality of congregational singing cannot refuse to Gregorian chant the place which is due to it.”

— Sacred Congregation of Divine Worship (14 April 1974)

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