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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Gather Hymnal

Jeff Ostrowski · June 24, 2013

ROWING UP in the 1990s, I missed a lot of the “liturgy wars.” I will forever be grateful to my parents who remained faithful to the Church, no matter how many scandals they witnessed along the way. It’s no secret that a great many people tried to harm the Church from within following the Council. What I am only just now beginning to realize is how creative some of these people were! Perhaps “creative” is not the right word. Let me describe a few instances, and the reader can devise his own word.

Just think about the very title, the very name, of one of the most popular Catholic hymnals: “Gather.” Without going into conspiracy theories, ponder that title. Is the emphasis not obvious? Mass is all about us. Our “gathering” is what’s important. Forget about the Sacrifice of Calvary, forget about the presence of our Lord Jesus Christ. The main emphasis is placed on the fact that we, the important, highly-evolved, 21st-century people are taking time to “gather” with other important, highly-evolved, 21st-century people.

Perhaps I’m the odd man out here. Perhaps I’m the one whose religious sense is skewed. But let me be clear: growing up, especially on those occasions we attended the Extraordinary Form, I never thought about the act of “gathering.” I thought about Christ. I thought about my sins. I thought about the precious gift of the Mass. I engaged in silent reflection and adoration of God. I thought about how transient life’s pleasures are. I thought about many things, but not “gathering.”

I suppose the enlightened “piccoluomini” will be tempted to chime in and explain Matthew 18:20 (“Where two or three are gathered together . . .”), but such an explanation is not needed. I fully believe and accept Matthew 18:20, a truly beautiful and important verse, as the Catholic Church explains it, but here I am speaking of emphasis.

LET US CONSIDER another example: kneeling. When I was little, I heard my parents talk about people trying to “get rid of kneeling during Mass.” I said to myself, “Yeah, right. Take a chill pill. Who would ever get rid of kneeling at Church? C’mon.”

Well, it turns out this movement is still alive. I received via Email (from a reader who will remain anonymous) the following comment, made on 30 May 2013, by the former president of Universa Laus, an organization specifically requested to “dissolve itself” by Pope Paul VI:

The desire to get people onto their knees shows a one-sided view of history, both liturgical and general. Standing is a sign of respect, whereas kneeling is a sign of self-abasement. We don’t kneel down when the President or the Queen enters the room, we stand out of respect. Yes, we bow to both of those, and ladies curtsey when presented, but we don’t kneel or kiss feet. If Jesus entered the room, we’d be on our feet in an instant. I have little time for a mediaeval posture which is to a large extent a distortion of the traditional prayer postures of the Church.

LET ME SAY AGAIN: I couldn’t even dream up some of this stuff! Another piccoluomini movement I remember hearing about in the 1990s was NAAC (“No Adoration At Communion”). It turns out NAAC is also still around. One of the signers of the Snowbird Statement on Catholic Liturgical Music wrote on 12 October 2012:

There are fourteen hymns contained in the section titled “Blessed Sacrament.” These hymns are meant to be sung at communion and/or Benediction. I see this as a major theological gaffe. Hymns that memorialize the sacrificial meal of Jesus should be distinct from those intended for adoration of the Blessed Sacrament. The communion bread at Mass is not appropriately called the Blessed Sacrament, [Huh?!!] a term reserved for the adoration of the element in the context of Benediction. The two are indissolubly linked, of course, but they are two distinct moments in Catholic liturgical life and devotion. The editors should have made a clear distinction between the two.

AS A CHILD, I was taught about the transcendence of God. At Mass, time seemed to stop. It was all about peaceful prayer and adoration. It was contemplative. Statements like the following, by Fr. William Bauman (former Chairman of the Music Committee of the Federation of Diocesan Liturgical Commissions) would never occur to me:

These would not be destined to go into a hymnal, for by their very nature as popular music, they finally pass out of popularity. They would, however, be able to be quickly used by those who make their own hymnals, quickly printed in periodical publications while they are still fresh and useful. [source]

More strange quotes can be found here. One such quote:

The hootenanny Mass can give explicit eucharistic and christological specification to youth’s intense involvement in the movements for racial justice, for control of nuclear weapons, for the recognition of personal dignity.

IN THE WORDS OF VANESSA WILLIAMS, I have “saved the best for last.” The winner is Fr. Frederick McManus, who once made the following claim. Note in particular the mental gymnastics necessary to twist the clear meaning of the Second Vatican Council (Sacrosanctum Concilium, §36):

“Although it is not the original language of the Roman rite by any means, [Excuse me, but who EVER made such a claim??] the Latin language is here acknowledged to have the first or principal place, and as such it is to be retained. It may be that in some areas the retention will simply mean employing the Latin texts as the basis for translating into the vernacular [!!!!!], at least in the case of those parts of the Roman rite which are themselves original, such as the collects.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: GIA Worship IV Hymnal, Heretical GIA Hymns Last Updated: July 7, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

On October 14, 1968, our Holy Father, Pope Paul VI, in an address to the Roman liturgy Consilium, pointed out the abuse which wants to “remove the sacred from liturgical worship and replace the holy with the commonplace and the every-day.”

— Quoted by Roger Wagner in a 1970 article

Recent Posts

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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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