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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Gather Hymnal

Jeff Ostrowski · June 24, 2013

ROWING UP in the 1990s, I missed a lot of the “liturgy wars.” I will forever be grateful to my parents who remained faithful to the Church, no matter how many scandals they witnessed along the way. It’s no secret that a great many people tried to harm the Church from within following the Council. What I am only just now beginning to realize is how creative some of these people were! Perhaps “creative” is not the right word. Let me describe a few instances, and the reader can devise his own word.

Just think about the very title, the very name, of one of the most popular Catholic hymnals: “Gather.” Without going into conspiracy theories, ponder that title. Is the emphasis not obvious? Mass is all about us. Our “gathering” is what’s important. Forget about the Sacrifice of Calvary, forget about the presence of our Lord Jesus Christ. The main emphasis is placed on the fact that we, the important, highly-evolved, 21st-century people are taking time to “gather” with other important, highly-evolved, 21st-century people.

Perhaps I’m the odd man out here. Perhaps I’m the one whose religious sense is skewed. But let me be clear: growing up, especially on those occasions we attended the Extraordinary Form, I never thought about the act of “gathering.” I thought about Christ. I thought about my sins. I thought about the precious gift of the Mass. I engaged in silent reflection and adoration of God. I thought about how transient life’s pleasures are. I thought about many things, but not “gathering.”

I suppose the enlightened “piccoluomini” will be tempted to chime in and explain Matthew 18:20 (“Where two or three are gathered together . . .”), but such an explanation is not needed. I fully believe and accept Matthew 18:20, a truly beautiful and important verse, as the Catholic Church explains it, but here I am speaking of emphasis.

LET US CONSIDER another example: kneeling. When I was little, I heard my parents talk about people trying to “get rid of kneeling during Mass.” I said to myself, “Yeah, right. Take a chill pill. Who would ever get rid of kneeling at Church? C’mon.”

Well, it turns out this movement is still alive. I received via Email (from a reader who will remain anonymous) the following comment, made on 30 May 2013, by the former president of Universa Laus, an organization specifically requested to “dissolve itself” by Pope Paul VI:

The desire to get people onto their knees shows a one-sided view of history, both liturgical and general. Standing is a sign of respect, whereas kneeling is a sign of self-abasement. We don’t kneel down when the President or the Queen enters the room, we stand out of respect. Yes, we bow to both of those, and ladies curtsey when presented, but we don’t kneel or kiss feet. If Jesus entered the room, we’d be on our feet in an instant. I have little time for a mediaeval posture which is to a large extent a distortion of the traditional prayer postures of the Church.

LET ME SAY AGAIN: I couldn’t even dream up some of this stuff! Another piccoluomini movement I remember hearing about in the 1990s was NAAC (“No Adoration At Communion”). It turns out NAAC is also still around. One of the signers of the Snowbird Statement on Catholic Liturgical Music wrote on 12 October 2012:

There are fourteen hymns contained in the section titled “Blessed Sacrament.” These hymns are meant to be sung at communion and/or Benediction. I see this as a major theological gaffe. Hymns that memorialize the sacrificial meal of Jesus should be distinct from those intended for adoration of the Blessed Sacrament. The communion bread at Mass is not appropriately called the Blessed Sacrament, [Huh?!!] a term reserved for the adoration of the element in the context of Benediction. The two are indissolubly linked, of course, but they are two distinct moments in Catholic liturgical life and devotion. The editors should have made a clear distinction between the two.

AS A CHILD, I was taught about the transcendence of God. At Mass, time seemed to stop. It was all about peaceful prayer and adoration. It was contemplative. Statements like the following, by Fr. William Bauman (former Chairman of the Music Committee of the Federation of Diocesan Liturgical Commissions) would never occur to me:

These would not be destined to go into a hymnal, for by their very nature as popular music, they finally pass out of popularity. They would, however, be able to be quickly used by those who make their own hymnals, quickly printed in periodical publications while they are still fresh and useful. [source]

More strange quotes can be found here. One such quote:

The hootenanny Mass can give explicit eucharistic and christological specification to youth’s intense involvement in the movements for racial justice, for control of nuclear weapons, for the recognition of personal dignity.

IN THE WORDS OF VANESSA WILLIAMS, I have “saved the best for last.” The winner is Fr. Frederick McManus, who once made the following claim. Note in particular the mental gymnastics necessary to twist the clear meaning of the Second Vatican Council (Sacrosanctum Concilium, §36):

“Although it is not the original language of the Roman rite by any means, [Excuse me, but who EVER made such a claim??] the Latin language is here acknowledged to have the first or principal place, and as such it is to be retained. It may be that in some areas the retention will simply mean employing the Latin texts as the basis for translating into the vernacular [!!!!!], at least in the case of those parts of the Roman rite which are themselves original, such as the collects.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: GIA Worship IV Hymnal, Heretical GIA Hymns Last Updated: July 7, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

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