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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Mass of the Americas” • Solemn Pontifical High Mass in DC

Fr. David Friel · October 24, 2019

OLEMN PONTIFICAL High Masses are not common events, but one will be celebrated next month at the Basilica of the National Shrine of the Immaculate Conception in Washington, DC. The Mass will be offered by Archbishop Salvatore Cordileone of San Francisco on Saturday, November 16, 2019 at 10 AM (EST).

This Mass in the Extraordinary Form is being organized by the Benedict XVI Institute for Sacred Music & Divine Worship as a tribute to Our Lady of Guadalupe and Our Lady of the Immaculate Conception. Anyone is welcome to attend, and, for those who cannot be present, the Mass will also be aired on EWTN.

Two things are notable about this Mass. First, it is being billed as a “Mass of the Americas,” a reference to the music for the ordinary that will be sung during the liturgy. Composed by Frank La Rocca, the Mass of the Americas was commissioned by Archbishop Cordileone and originally intended for use in the Ordinary Form. La Rocca has now adapted the score for use with the Extraordinary Form. Thus, the upcoming Mass in Washington, DC will be the premiere of this revised work.

The second thing to note is that the Mass will be followed by an afternoon conference cosponsored by the Benedict XVI Institute and The Catholic University of America’s Rome School of Music, Drama, and Art. The interesting program includes the following:

Keynote: The Making of the Mass of the Americas: A Conversation with Composer Frank La Rocca, Conductor Richard Sparks, and Archbishop Salvatore Cordileone

Craft as Soul Craft: A Poetry Reading and Workshop with James Matthew Wilson

Painting Beauty: A Workshop with Andrew de Sa

The Vision of the Soul: A Conversation with Artists and Philosophers of Art (James Matthew Wilson, poet, Villanova University; Prof. Robert Edward Gordon, The American Culture and Ideas Initiative, College of Fine Arts, University of Arizona; Prof. Sara Pecknold, clinical professor of Sacred Music, Catholic University of America; Andrew de Sa, painter)

Book Signing: The River of the Immaculate Conception with poet James Matthew Wilson

Attendance at this conference is free and open to all, but registration is required.

A Facebook event has been created for this Mass. You may also download the PDF flyer to help spread the word about this Mass and conference.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Contemporary Sacred Music, Extraordinary Form 1962 Missal, National Shrine Immaculate Conception Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

A priest celebrating the Mass “ad orientem” is no more turning his back on the people than a teacher leading her students in the “Pledge of Allegiance” is slighting them by turning her back on them and facing the flag with them.

— Archbishop Salvatore Cordileone (6 April 2025)

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  • PDF Download • “For Pentecost Sunday”

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