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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Mass of the Americas” • Solemn Pontifical High Mass in DC

Fr. David Friel · October 24, 2019

OLEMN PONTIFICAL High Masses are not common events, but one will be celebrated next month at the Basilica of the National Shrine of the Immaculate Conception in Washington, DC. The Mass will be offered by Archbishop Salvatore Cordileone of San Francisco on Saturday, November 16, 2019 at 10 AM (EST).

This Mass in the Extraordinary Form is being organized by the Benedict XVI Institute for Sacred Music & Divine Worship as a tribute to Our Lady of Guadalupe and Our Lady of the Immaculate Conception. Anyone is welcome to attend, and, for those who cannot be present, the Mass will also be aired on EWTN.

Two things are notable about this Mass. First, it is being billed as a “Mass of the Americas,” a reference to the music for the ordinary that will be sung during the liturgy. Composed by Frank La Rocca, the Mass of the Americas was commissioned by Archbishop Cordileone and originally intended for use in the Ordinary Form. La Rocca has now adapted the score for use with the Extraordinary Form. Thus, the upcoming Mass in Washington, DC will be the premiere of this revised work.

The second thing to note is that the Mass will be followed by an afternoon conference cosponsored by the Benedict XVI Institute and The Catholic University of America’s Rome School of Music, Drama, and Art. The interesting program includes the following:

Keynote: The Making of the Mass of the Americas: A Conversation with Composer Frank La Rocca, Conductor Richard Sparks, and Archbishop Salvatore Cordileone

Craft as Soul Craft: A Poetry Reading and Workshop with James Matthew Wilson

Painting Beauty: A Workshop with Andrew de Sa

The Vision of the Soul: A Conversation with Artists and Philosophers of Art (James Matthew Wilson, poet, Villanova University; Prof. Robert Edward Gordon, The American Culture and Ideas Initiative, College of Fine Arts, University of Arizona; Prof. Sara Pecknold, clinical professor of Sacred Music, Catholic University of America; Andrew de Sa, painter)

Book Signing: The River of the Immaculate Conception with poet James Matthew Wilson

Attendance at this conference is free and open to all, but registration is required.

A Facebook event has been created for this Mass. You may also download the PDF flyer to help spread the word about this Mass and conference.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Contemporary Sacred Music, Extraordinary Form 1962 Missal, National Shrine Immaculate Conception Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Orlando de Lassus died in Munich on 14 June 1594, the selfsame day his employer decided to dismiss him for economic reasons. He never saw the letter.”

— New Grove

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