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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • A Eucharistic Piece My Choir Loves

Jeff Ostrowski · November 8, 2019

80854 Brébeuf Hymnal ODAY, I am going to make news. For months, I have been assisting in proofreading the Choral Supplement to the Brébeuf Hymnal. Folks, a choirmaster’s life will never be the same once this book is released. It’s about 1,100 pages, and totally magnificent: unlike anything I’ve ever seen. We all know Catholic music is a mess right now, but this publication—in my humble opinion—will go a long way towards fixing things!

What Is The Purpose?

Put simply, the Choral Supplement provides SATB settings for the hymns in the Brébeuf Pew edition. For many reasons, we encourage choirmasters to emphasize “German style” in parishes: Unison + Organ. But there can be certain moments when SATB singing is desired, and that’s why this book was created. 1

Here is a sample score:

    * *  PDF Download • EARLY RELEASE SAMPLE (Choral Supplement)

My choirs love to sing “Sancti Venite” from the Brébeuf Hymnal. We usually sing Unison + Organ, alternating between ladies and men—and it works extremely well. But the 9:00am choir really wanted to try SATB. A member of the Tenor section sent me an iPhone recording:

When you listen, please remember that this choir is 100% volunteers, and very few members read music. The more we sing it, the better it will get.


You can rehearse each individual part at the Brébeuf website. I wish more people would go explore the rehearsal videos; but nobody ever does. I’m not sure why this is…they are so much fun!  Anyhow, the JP2 Institute has requested that no more rehearsal videos be posted until the Choral Supplement has been released—so be prepared for a whole bunch more videos soon!

When Is The Release Date?

The Choral Supplement is expected to be released on 8 December 2019, a date which had special meaning for Saint Jean de Brébeuf and his companions. One reason it took so long is the beautiful formatting. Do you see the difference between “standard” formatting by a program such as Sibelius?

80858-why-we-format-yellow-sm


This book is a supplement.

In other words, the Choral Supplement only makes sense used in conjunction with the Pew Edition. All the literal translations, color pages, footnotes, etc. are found in the Pew Edition.



NOTES FROM THIS ARTICLE:

1   To say nothing of descants, alternatim between genders, organ interludes, and so on.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Oldest Latin Eucharistic Hymn, Sancti Venite Eucharistic Last Updated: May 3, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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